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Hemingway Studies

Teaching Hemingway and Modernism

| Filed under: Hemingway Studies, Literature & Literary Criticism, Teaching Hemingway
Fruscione Cover

Teaching Hemingway and Modernism presents concrete, intertextual models for using Hemingway’s work effectively in various classroom settings, so students can understand the pertinent works, definitions, and types of avant-gardism that inflected his art. The fifteen teacher-scholars whose essays are included in the volume offer approaches that combine a focused individual treatment of Hemingway’s writing with clear links to the modernist era and offer meaningful assignments, prompts, and teaching tools.

 


Hemingway, Cuba, and the Cuban Works

and | Filed under: Hemingway Studies
Grimes and Sylvester Cover

The volume opens with an examination of Hemingway’s place in Cuban history and culture, evaluations of the man and his work, and studies of Hemingway’s life as an American in Cuba. These essays look directly at Hemingway’s Cuban experience, and they range from the academic to the journalistic, allowing different voices to speak and different tones to be heard. The first section includes reflections from Gladys Rodriguez Ferrero, former director of the Museo Finco Vigía, who describes the deep affection Cubans hold for Hemingway; and recollections from the now-adult members of “Gigi’s All Stars,” the boys’ baseball team that Hemingway organized in the 1940s.

 


Hemingway, the Red Cross, and the Great War

| Filed under: Hemingway Studies
Florczyk Cover

Ernest Hemingway’s enlistment with the American Red Cross during World War I was one of the most formative experiences of his life, and it provided much of the source material for A Farewell to Arms and his writings about Italy and the Great War. As significant as it was, Hemingway’s service has never been sufficiently understood. By looking at previously unexamined documents, including the letters and diary of Hemingway’s commanding officer, Robert W. Bates, official reports of the ambulance and canteen services, and section newspapers published by volunteers, author Steven Florczyk provides crucial insights into Hemingway’s service.

 


War + Ink

, and | Filed under: Hemingway Studies, Literature & Literary Criticism
Paul Cover

Ernest Hemingway’s early adulthood (1917–1929) was marked by his work as a journalist, wartime service, marriage, conflicts with parents, expatriation, artistic struggle, and spectacular success. In War + Ink, veteran and emerging Hemingway scholars, alongside experts in related fields, present pathbreaking research that provides important insights into this period of Hemingway’s life.

 


Hemingway’s The Garden of Eden

and | Filed under: Hemingway Studies, Literature & Literary Criticism
Del-Gizzo-hr

In Hemingway’s The Garden of Eden, editors Suzanne del Gizzo and Frederic J. Svoboda have collected the best essays and reviews—pieces that examine the novel’s themes, its composition and structure, and the complex issue of editing a manuscript for posthumous publication—and placed them in a single, cohesive volume. Among the included works are E. L. Doctorow’s famous New York Times review “Braver Than We Thought,” a new essay by Tom Jenks examining his editing process in “Editing Hemingway: The Garden of Eden,” and Mark Spilka’s “Hemingway’s Barbershop Quintet: The Garden of Eden Manuscript,” a precursor to his groundbreaking study of Hemingway’s concerns with sex and gender roles, Hemingway’s Quarrel with Androgyny.

 


Hemingway, Race, and Art

| Filed under: Hemingway Studies, Literature & Literary Criticism
Dudley Cover Image

William Faulkner has long been considered the great racial interrogator of the early-twentieth-century South. In Drawing First Blood, author Marc Kevin Dudley suggests that Ernest Hemingway not only shared Faulkner’s racial concerns but extended them beyond the South to encompass the entire nation. Though Hemingway wrote extensively about Native Americans and African Americans, always in the back of his mind was Africa. Dudley sees Hemingway’s fascination with, and eventual push toward, the African continent as a grand experiment meant to both placate and comfort the white psyche, and to challenge and unsettle it, too.

 


Ernest Hemingway and the Geography of Memory

and | Filed under: Hemingway Studies, Literature & Literary Criticism
Cirino Book Cover

The contributors to Ernest Hemingway and the Geography of Memory employ an intriguing range of approaches to Hemingway’s work, using the concept of memory as an interpretive tool to enhance understanding of Hemingway’s creative process. The essays are divided into four sections— Memory and Composition, Memory and Allusion, Memory and Place, and Memory and Truth—and examine The Garden of Eden, In Our Time, The Old Man and the Sea, Green Hills of Africa, Under Kilimanjaro, The Sun Also Rises, A Moveable Feast, A Farewell to Arms, and Death in the Afternoon, as well as several of Hemingway’s short stories.

 


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