John Vacha is the first to write a comprehensive, in-depth account of Playhouse Square’s history, beginning with the Square’s 1921 opening and describing how the COVID-19 pandemic once again left its theaters temporarily empty before their triumphant reopenings in 2022. Richly illustrated and featuring interviews with the central figures involved in saving the Square, Playhouse Square and the Cleveland Renaissance is a powerful story that will appeal to theater history buffs and preservationists alike—reminding readers of the significant role the performing arts serve in shaping a city’s culture.

Tabernacles in the Wilderness discusses the work of the United States Christian Commission (USCC), a civilian relief agency established by northern evangelical Protestants to minister to Union troops during the American Civil War. USCC workers saw in the Civil War not only a wrathful judgment from God for the sins of the nation but an unparalleled opportunity to save the souls of US citizens and perfect the nation. Thus, the workers set about proselytizing and distributing material aid to Union soldiers with undaunted and righteous zeal.

Published in 1940, Ernest Hemingway’s For Whom the Bell Tolls is widely considered a masterpiece of war literature. A bestseller upon its release, the novel has long been both admired and ridiculed for its depiction of Robert Jordan’s military heroism and wartime romance. Yet its validation of seemingly conflicting narratives and its rendering of the intricate world its characters inhabit, as well as its dense historical, literary, and biographical allusions, have made it a work that remains a focus of interest and study.

A central figure in Reconstruction-era politics, Adelbert Ames and his contributions during a significant and uncertain time in American history are the focus of Michael J. Megelsh’s fascinating study. As Megelsh discusses, Ames’s life took many compelling turns. Born on Maine’s rocky shore in 1835, he served as a Union general during the American Civil War and was heralded as one of the young stars whose leadership was integral in helping the Union to victory. He briefly remained in the army after the conflict, stationed in Mississippi, where he entered the political arena.

In this brisk, engaging exploration of 19th-century radical reformer and abolitionist Wendell Phillips, Peter Charles Hoffer makes the case that Phillips deserves credit as the nation’s first public interest lawyer, someone who led the antebellum crusade against slavery and championed First Amendment rights and equality for all Americans, including Black people and women.

Steven L Herman, chief national correspondent for the nonpartisan, government-funded Voice of America (VOA), weaves together memoir and history to pull back the curtain on the inner workings of the White House press corps, giving readers a rare glimpse into the historic and current relationship between the president and the press.

In this remarkable work of close reading and analysis, Thomas P. Hillman gets to the heart of the tension between pity and the desire for power in J. R. R. Tolkien’s The Lord of the Rings. As the book traces the entangled story of the One Ring and its effects, we come to understand Tolkien’s central paradox: while pity is necessary for destroying the Ring, it cannot save the Ring-bearer from the Ring’s lies and corruption.

This latest installment of The Complete Funky Winkerbean presents the comic strips from 2008, 2009, and 2010 and ushers the original Funky characters into middle age. In true Funky fashion, the characters have to grapple with very serious issues: nearly fatal car crashes, a war abroad, and a tanking economy at home. These years also mark the first appearance of Cayla, and her arrival on the scene is where cartoonist Tom Batiuk’s new time-jump era begins to coalesce and take on its unique identity.

Featuring more than 100 photographs taken by Richard W. Burry, Art and History in the Ohio Judicial Center is the first book to celebrate the building’s impressive architectural detail and highlight its 200 Art Deco– and Beaux Arts–style murals, reliefs, and mosaics. Burry tells the story of the public art in the Ohio Judicial Center and provides illuminating historical context, helping the present-day reader to understand the building’s art not only from a contemporary perspective but also through the eyes of those living almost a century ago.