Though Ernest Hemingway distrusted Hollywood and often found himself in conflict with directors and producers, he frequented theaters and freely acknowledged the art and potential that cinema contained. In turn, the film industry’s interest in his stories has endured for nearly a century. Focusing on the relationship between written and cinematic work, Hemingway and Film brings together diverse literary and film studies scholars to both deepen understanding of Hemingway’s fiction and film adaptations and to provide practical guidance for approaching these topics in the classroom.

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Cam Cobb is associate professor of education at the University of Windsor and a rock journalist. He is the author of What’s Big and Purple and Lives in the Ocean? and Weighted Down: The Complicated Life of Skip Spence, and he codirected Buskin’ in the Subway, which competed in the Windsor International Film Festival.

Marc K. Dudley is professor of American literature and Africana studies at North Carolina State University. He appeared in the 2021 PBS documentary Hemingway and is the author of Hemingway, Race, and Art: Bloodlines and the Color Line; Understanding James Baldwin; and the forthcoming Understanding Ralph Ellison.

To demonstrate how a Union force overpowered Confederate troops in and around Fredericksburg, Erik F. Nelson emphasizes the role of terrain. Previous studies have relied on misleading primary sources that have left the campaign—and the Union’s larger victory—misunderstood. Moreover, the former battlegrounds near Fredericksburg have been altered by new roads and neighborhoods, further complicating study.

For more than a century, historians have disparaged the men who joined the Union army in the later days of the Civil War—when higher bounty payments and the conditional draft were in effect—as unpatriotic mercenaries who made poor soldiers and contributed little to the Union victory. However, as Edwin P. Rutan II explains, historians have relied on the accounts of 1861 and 1862 veterans who resented these new recruits who had not yet suffered the hardships of war, and they were jealous of the higher bounties those recruits received. The result, he argues, is a long-standing mischaracterization of the service of 750,000 Union soldiers.

Holding the Political Center in Illinois charts the political trajectory of Illinois from the introduction of the Kansas-Nebraska Act in 1854 through the firing on Fort Sumter in 1861. Throughout, Ian T. Iverson focuses on political moderation in this era of partisan extremes, one in which the very label of “conservative” was contested. Most often framed through the biography of Abraham Lincoln, the turbulence of antebellum-era and political realignment in Illinois has been widely misunderstood, yet the Prairie State’s geographic, economic, and demographic diversity makes it an especially fascinating microcosm through which to examine the politics of self-identified conservatives leading up to the Civil War.

The latest chapter in The Complete Funky Winkerbean saga sees the sons and daughters of the original Funky gang starting to make their mark on the world by playing in basketball championships, climbing Mt. Kilimanjaro, and being deployed to war zones. Along the way there are graduations, weddings, and anniversaries—including the 40th anniversary of Funky Winkerbean. In an introduction to the strips, Tom Batiuk shares fresh insights about what was transpiring behind the scenes when the work in this volume was being created.

Opium and Ambergris is the haunting debut collection by poet Colin Dekeersgieter, whose lyric poems scrutinize a family’s history with addiction, death, and mental illness.

Reeling from the loss of his brother to a heroin overdose, Dekeersgieter grieves while doing his best to keep his suicidal mother alive and raise his family. As a result, these poems shift between historical retellings and urgent examinations of love. In the title poem, “opium” is associated with death and “ambergris”—a substance formed in sperm whales’ digestive tracts and valued by many cultures for over one thousand years—is associated with love. As family history, death, trauma, and duty become entwined with the acts of living, suffering, growing, and writing, these metaphorical categories become essentially interchangeable. Opium comes from the beautiful poppy; ambergris is an ingredient still used in high-end perfumes to help the fragrance last longer, yet it is extracted from dead whales. Thus, “opium” and “ambergris” come to represent the possible coexistence of love and loss.

In early 1900s Indiana, John Terrell was the wealthiest man in Wells County, thanks to oil discovered on his farm. But when his youngest daughter, Lucy, became pregnant and entered into a forced marriage to abusive Melvin Wolfe, Terrell’s life and fortune unraveled in a tumultuous spiral of murder, a dramatic trial, and a descent into madness.

An anthology celebrating the biodiversity and staggering beauty of Cuyahoga Valley National Park, Light Enters the Grove collects 42 poems, each of which reflects its author’s unique connection to a living organism found within the park—ranging from white-tailed deer to brown bats and from Japanese honeysuckle to bloodroot. Additionally, each poem is paired with an artistic depiction of the poem’s subject that reinforces the rich relationship between artists and the natural world.

Steven L Herman, chief national correspondent for the nonpartisan, government-funded Voice of America (VOA), weaves together memoir and history to pull back the curtain on the inner workings of the White House press corps, giving readers a rare glimpse into the historic and current relationship between the president and the press.