In this remarkable work of close reading and analysis, Thomas P. Hillman gets to the heart of the tension between pity and the desire for power in J. R. R. Tolkien’s The Lord of the Rings. As the book traces the entangled story of the One Ring and its effects, we come to understand Tolkien’s central paradox: while pity is necessary for destroying the Ring, it cannot save the Ring-bearer from the Ring’s lies and corruption.

Detailing the life of Warren Hamilton Lewis, author Don W. King gives us new insights into the life and mind of Warren’s famous brother, C. S. Lewis, and also demonstrates how Warren’s experiences provide an illuminating window into the events, personalities, and culture of 20th-century England. Inkling, Historian, Soldier, and Brother will appeal to those interested in C. S. Lewis and British social and cultural history.

Drawing on C. S. Lewis’s essays, sermons, and fiction, The Lion’s Country offers a comprehensive exploration of Lewis’s understanding of reality—important, Charlie W. Starr argues, to more fully understand Lewis’s writing but also to challenge and inform our own thought about what constitutes the Real.

A study of myth suggests that the stories we human beings tell ourselves about who we are make us who we are. Amber Lehning extends such discussion into the ecocritical realm, arguing that the stories we tell ourselves about our relationship to the natural world are at least as powerful as science or government policy as drivers of our behavior toward our planet. The destructive modern myths underlying today’s environmental crises create a kind of intellectual separation between humanity and its environment that can end up justifying the worst of environmental excesses—and perhaps, she argues, the only way to counter these negative humans-versus-nature stories is to shift some of the deep belief they command into new, positive, restorative stories.

Focusing on the themes of enchantment and loss in the fiction of J. R. R. Tolkien, this unique study incorporates elements of developmental psychology to explore both Tolkien’s life and art, deepening our understanding of the interrelationship between his biography and writing.

A Sense of Tales Untold examines the margins of J. R. R. Tolkien’s work: the frames, edges, allusions, and borders between story and un-story and the spaces between vast ages and miniscule time periods. The untold tales that are simply implied or referenced in the text are essential to Tolkien’s achievement in world-building, Peter Grybauskas argues, and counter the common but largely spurious image of Tolkien as a writer of bloated prose.

The Shared Witness of C. S. Lewis and Austin Farrer explores a number of areas that demonstrate the ways in which Lewis and Farrer both intersected and influenced each other’s thought. Both insisted that myth prepared the heart for a sense of divine glory and even had a place in the Christian scriptures.

An in-depth examination of the role of divine beings in Tolkien’s work, Tolkien’s Cosmology: Divine Beings and Middle-earth brings together Tolkien’s many references to such beings and analyzes their involvement within his created world. Unlike many other commentators, Sam McBride asserts that a careful reading of the whole of the author’s corpus shows a coherent, if sometimes contradictory, divine presence in the world.

As bombs fell on London almost nightly from the autumn of 1940 through the summer of 1941, the lives of ordinary people were altered beyond recognition. A reclusive Oxford lecturer found himself speaking, not about Renaissance literature to a roomful of students but about Christian doctrine into a BBC microphone. A writer of popular fiction found herself exploring not the intricacies of the whodunit but the mysteries of suffering and grace. An erudite poet and literary critic found himself patrolling the dark streets and piecing together images of fire and redemption. C. S. Lewis, Dorothy L. Sayers, and T. S. Eliot became something they had not been before the war: bearers of a terrible, yet triumphant, message that people could not expect to be spared from pain and suffering, but they would be redeemed through pain and suffering.

While visiting with Mr. Tumnus in The Lion, the Witch and the Wardrobe, Lucy Pevensie notices a bookshelf filled with such titles as Nymphs and Their Ways and Is Man a Myth? Beginning with these imaginary texts, Charlie W. Starr offers a comprehensive study of C. S. Lewis’s theory of myth, including his views on Greek and Norse mythology, the origins of myth, and the implications of myth on thought, art, gender, theology, and literary and linguistic theory. For Lewis, myth represents an ancient mode of thought focused in the imagination—a mode that became the key that ultimately brought Lewis to his belief in Jesus Christ as the myth become fact.