During its single year of existence, more money was expended on the Elmira prison than in any of the other Union Stockades. Even with this record spending, a more ignominious figure was attached to Elmira: of the more than 12,000 Confederates imprisoned there, nearly 3,000 die while in captivity – the highest rate among all the Northern prisons. The authors conclusions are based on new, little-known, or never used archival materials. In a similar vein, his description of the prison culture is especially illuminating.

“Jason Gray’s How to Paint the Savior Dead rethinks the complex traditional connections among women’s bodies, spirituality, and art. Gray is not afraid of hard work, hard thought, and big vision just because the subject of his fascination has been both exalted and besmirched by tradition, both enriched and impoverished by the hands of our predecessors. Gray throws himself into the mix of muses, amore, and immortality with more—much more—than common wit, passion, and intelligence. As he separates out mortal beauty from immortal, he ignores, as one of his poems says, ‘what is heavenly for what is Heaven.’” — Andrew Hudgins

The Genealogy of Cities is a compilation of ancient and modern city plans, from 350 BCE to the present, depicting both built and proposed plans. Written in clear and accessible prose, it is illustrated with more than 500 plans drawn at the same scale, a unique feature of this work. It provides a previously unavailable tool for academics and professionals who must grapple with the issue of scale in researching and teaching urban design or when creating new urban spaces. Author Charles P. Graves Jr. created these computer-generated plans to provide a method of understanding models for modern cities while also creating a series of typological diagrams for both historical periods and city fabric. Also included in this volume is a CD containing nearly 1000 plans that will allow the user to print the urban plans at any scale.

For a century, Americans have been purchasing picture postcards. Ohio in Historic Postcards presents 208 examples of postcards from early twentieth-century Ohio and places them in their historical context. At the World’s Columbian Exposition in Chicago in 1893, the first picture postcards portrayed a range of the fair’s attractions. From that beginning postcards took the nation by storm. The efficiency of the Railway Mail Service together with the sparsity of telephones made the cards a cheap, reliable, and convenient form of communication.

Otto kept a journal throughout the war and afterward arranged his reminiscences in a memoir, which he completed around 1890. Captain John Henry Otto was a keen observer, and his memoirs paint a vivid picture of the life of a common soldier and of a line officer at the company level during the Civil War. Memoirs of a Dutch Mudsill will appeal to Civil War enthusiasts and scholars.

In this, his third collection of stories, Lester Goran moves us again through the times and places indelibly stamped with his wit and insight about people and events lost to history. Outlaws of the Purple Cow centers around the domains of Irish-American men and women in Pittsburgh. Goran creates once more his world of poignant and magical times and places within the mundane affairs of ordinary men and women. Goran’s evocative settings and narratives range form the supernatural to the humorous, from bawdy to richly detailed realism.

Lester Goran’s first book of short stories, Tales from the Irish Club, was chosen by the New York Times Book Review as a “Notable Book of the Year 1996.” This second collection also centers around a group of men and women in an Irish-American enclave in Pittsburgh, primarily during the years surrounding World War II, but extending at times into the eighties. With evocative settings and narratives ranging from the supernatural to the humorous, from bawdy hilarity to richly detailed realism, Goran creates once more his world of poignant and magical times and places within the mundane affairs of ordinary men and women. With his mastery of language and images he shows again what Paul West has termed “the lunatic sadness of things.”

Tales from the Irish Club contains 11 wry accounts of an enclave of Irish Americans in Pittsburgh during and after World War II. In this first collection of short stories by Lester Goran are the often comic, sometimes tragic tales of Jack Lanahan, the transcendental artist who carves nothing but wooden roosters; Long Conall O’Brien, haunted by the ghosts of prostitutes he has known world-wide; Mrs. Pauline Conlon, famous as the woman who outlives three husbands—until she meets Sailor Kiernan; and the night an image of the Madonna appears on the wall of Local No. 9 of the Ancient Order of Hibernians.

The Bright Streets of Surfside chronicles 10 years in the life of Isaac Bashevis Singer, as witnessed and shared by a fellow writer close to him at the time. In 1978, with a mixture of hero worship and academic responsibility as director of creative writing at the University of Miami, Lester Goran brought Singer to teach at the Coral Gables campus. The eminent Polish-American author was then 74 years old and five months away from receiving the Nobel Prize. Goran became Singer’s closest friend and translator as they taught advanced courses in creative writing together until Singer retired in 1988. With a sometimes painful authenticity, Goran recounts the course of their extraordinary friendship. It was a fascinating time, writes Goran, recalling his frustration at Singer’s intractable desire not to teach (he mistrusted the faculty and was bewildered by the students) and his pleasure in Singer’s company.

In Bloody Dawn, Thomas Goodrich considers why this remote settlement was signaled out to receive such brutal treatment. He also describes the retribution that soon followed, which in many ways surpassed the significance of the Lawrence Massacre itself. The story that unfolds reveals an event unlike anything our nation has experienced before or since.