Between 1836 and 1911, thirteen physio-medical colleges opened, and then closed, their doors. These authentic American schools, founded on a philosophy of so-called Physio-Medicalism, substituted botanical medicines for allopathy’s mineral drugs and promoted the belief that the human body has an inherent “vital force” that can be used to heal. In Kindly Medicine, John Haller offers the first complete history of this high-brow branch of botanical medicine. Physio-Medicalist, along with Thomsonians, Homeopathys, Hydropaths, and Eclectics, represented the earliest wave of medical sectarianism in nineteenth-century America. United in their opposition to the harsh regimens of allopathy, or regular medicine, these sects had their beginnings in the era of Jacksonian democracy and individualism when every man yearned to become his own legislator, minister, and even his own physician. The Physio-Medicals demanded equal rights with regular practitioners to jobs in the army, navy and public institutions and equal representation on the new state licensing and regulatory boards. As the nineteenth century drew to a close, they saw their influence waning as they could no longer match allopathy’s increasing hold on science and on the public’s trust. In this history of the movement, John Haller recounts the events that led to the establishment of Physio-Medicalism and traces the circumstances that brought its slow descent into obscurity.

Kirk Mangus was an internationally recognized artist, who led the Ceramics Department at Kent State University for almost 30 years. Influencing multiple generations of students, he was a central figure in the revival of wood-firing in America. This catalog accompanies the retrospective Kirk Mangus: Things Love at the Museum of Contemporary Art Cleveland. Included are over 100 pages of full color plates that show the breadth of Mangus’s practice, from humble cups to ornate vessels and large totemic sculptures. A selection of drawings and paintings are also included, along with several essays by exhibition curator Rose Bouthillier, Eva Kwong, ceramic artist and Kirk’s wife, and other scholars, along with selections from the writings of Mangus himself.

In sharp contrast with the southern and southeastern uplands of Ohio, rockshelters are rare in the northern parts of the state. Only at Krill Cave has it been possible to reconstruct a temporal sequence from the Archaic through Late Woodland times on the basis of quantitatively appreciable data. The results of these excavations (carried out in the summers of 1974 and 1975) can best be discussed in terms of what the three major occupations have in common. The shared commonalities are probably due to the environmental/ecological setting in which the occupations occurred.

William J. Breen’s Labor Market Politics and the Great War is the first detailed study of the way in which federalism influenced the development of government labor market policy in the early twentieth century. For those interested in the continuing debate over the unique development of the American state, it suggests one reason why that development diverged from the European model. It also suggests the crucial role of Washington bureaucrats in promoting a powerful centralized state.

Landmarks addresses a wide range of questions relevant to the recent history of anthropology and its importance to contemporary issues. These questions include the significance of anthropology for Third World studies; the debate on whether anthropology is a scientific or a humanistic subject; anthropology as a means of reflecting on ourselves as well as others; and the criticisms of anthropological work that have emerged out of postmodernism. Drawing on his research findings in Papua New guinea since 1964 and his more recent work on the cross-cultural study of medicine, the author examines the extent to which we can achieve understanding between different cultures and the relative merits of approaches that stress indigenous categories or those of the observer.

To be published simultaneously with Prelude, The Last Leaf is the sequel after Lisa’s death from breast cancer in Lisa’s Story: The Other Shoe. The Last Leaf recounts how Les and family cope with Lisa’s death and continue their lives. Creator Tom Batiuk brings Lisa back in Les’s imagination, and she helps him work out difficulties and decisions in his life and in the life of their daughter Summer. Fans will recognize Batiuk’s gentle mix of humor and more serious reallife themes that heighten the reader’s interest.

A remarkable work of documentary history, The Last Muster is a collection of rare nineteenth-century photographic images—primarily daguerreotypes, ambrotypes, and carte des visite paper photographs—of the Revolutionary War generation. This extraordinary collection of images assigns faces to an un-illustrated war and tells the stories of our nation’s founding fathers and mothers, updating and supplementing research last collected and published over a century ago.

Maureen Taylor, the nation’s foremost historical photo detective, continues her quest to document the Revolutionary War generation with this collection of rare nineteenth-century photographic images. Primarily comprised of daguerreotypes, ambrotypes, and carte de visite paper photographs, this collection of nearly sixty images presents new works of photography and art. It assigns faces to a previously un-illustrated war and tells the stories of our nation’s Founding Fathers and Mothers, updating and supplementing research published over a century ago.

An explosive novel by a former law clerk to a federal judge, The Law Clerk combines the insider feel of today’s most exciting fiction with insights into one of the most pressing social issues of the day: the impact of pornography. Sam Grimes is heartbroken by a law school romance gone bad. Searching for new horizons, he accepts a prestigious clerkship with a federal judge in Providence, Rhode Island. He quickly finds himself both falling in love with a beautiful young woman he meets at the courthouse and working on the case of the decade in New England: the obscenity trial of Joey Mancini, the son of a Mafia boss. And as Sam is about to find out, one thing has everything to do with the other.

“Kate Hancock’s poems combine intellectual rigor with emotional recklessness like oil and water under special dispensation. This rare ability is a tell-tale sign of a true poet, and the reader who lets these poems have their sure way with him or her will not forget them.”—William Matthews