Daniel Carter’s Here Both Sweeter is a book in which you “have a seedling in each pocket,” a “body bodies,” and words are something you “carve out” so as to make a home. The poems are stories, are seeds, are secret messages cast and sent…
Spanning oceans and continents, language and the imagination, the unfathomable distances between people and their desires, Allison Davis’s Poppy Seeds creates an “immaculate atlas.” Here language is “broken. . . against the margin of the sea,” and a word is a thing that can be…
“Heather Lanier’s The Story You Tell Yourself may be a first book, but Lanier’s firm intelligence and lyrical artistry make poems that are clearly the confident work of an extraordinarily accomplished, even thrilling, poet. Lanier isn’t kidding when she says, auda- ciously, ‘I found a…
“In the old story of love and loss, Lisa Ampleman’s I’ve Been Collecting This to Tell You cuts to the core of the matter with concision and subtlety. Hearts are laid bare, dissected, even grown anew. Masterfully structured and alert to the most vital details,…
“Traveling from her pastoral America to Neruda’s Chile and the Ireland of St. Kevin, Elizabeth Breese sings the lonely-wild lyric of ditch flowers and raw honey, tornados and radios, broken birds and sailors lost at sea. Her ars poetica: ‘little bee hand in pocket editions,…
“Jody Rambo’s first book of poetry, Tethering World, is lyrical, tactile, and transcendent—in a word, enthralling. The very texture embodies a personal way of seeing and saying, as does the extraordinary range of circumstances. There is a beguiling strangeness to the writing, and philosophical smarts…
“These poems are like yen the color and the size of dollars. They are American poems, they are English, but they almost seem like versions of the Japanese. The music is lovely and the form is graceful. They are a delight to read.”—Gerald Stern
