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Wick Chapbook

Catherine Wing, Editor
Manuscripts for the Wick Poetry Chapbook Series are selected through an open competition of Ohio poets and through a competition for students enrolled in Ohio colleges and universities.

Cadence

| Filed under: Forthcoming, Wick Chapbook
Cadence Cover

Having children fundamentally disrupts and remakes us, in terms of body, identity, perspective, and voice. The world shrinks and exponentially expands. Our already-fraught human experience of time is shredded and magnified.

Cadence captures the poet’s point of view as a new mother, reveling in a position of heightened vulnerability and ferocity. The poems in this chapbook are breathless, hyper­attentive to others’ needs, and equally in love with earthliness and repulsed by the monstrousness we enact/bear witness to.

 


Punctum:

| Filed under: Poetry, Recent Releases, Wick Chapbook
Jenike cover

“In Punctum:, Lesley Jenike’s new collection, she writes, ‘It’s our language: what can we call a thing / that is and is not.’ These poems are haunted by a ‘non-child,’ a child who was not to be born, and with it, a life the speaker was not to live. Absence itself becomes a nearly tangible presence. I don’t know how Jenike does it—breaks your heart and makes you want more—but I can’t remember the last time I read poems as smart and sure and devastatingly precise in their language, imagery, and feeling. In a poem about a fateful ultrasound, one that reveals no fetal heartbeat, she writes, ‘the doctor calls it “practice,” snapping off // the screen, tearing up the spit-out photograph. / “Next time,” she says, “it’ll be the real thing.”’ Mark my words: these poems are—and this poet is—the real thing. Punctum: is a remarkable accomplishment.”
—Maggie Smith

 


Seven Boxes for the Country After

| Filed under: Poetry, Recent Releases, Wick Chapbook
McAdams Cover

“Seven Boxes for the Country After is a book about a way-making and way-finding. It is a journey, both internal and external, across a map, over borders, through a life, and in a body. It is passage and pilgrimage, odyssey and exile. Above all it is a book of questions. What do we carry with us and what do we leave behind? Where do we keep the past and what do we keep it in? How do we measure a person, a country, a love, a loss? What do we remember? What can’t we forget? What do we declare and what do we declare it with: our words and mouths? our bodies and hands? in blue ink or black? If as Eudora Welty wrote, ‘The memory is a living thing—it too is in transit,’ then McAdams is an honest and faithful courier. The poems serve as storage boxes into which a memory is placed, then wrapped and bound. In poem after poem McAdams guides us to our most intimate spaces, the candy tin nestled between the handkerchiefs in a dresser’s top drawer, the cigar box packed in the trunk and stored in the attic, and she allows us to open and sit with our deepest selves.”
—Catherine Wing

 


Little Nest

| Filed under: Wick Chapbook
lueptow cover

“In Little Nest Diana Lueptow shows a unique skill for bridging the everyday and the mythic. In lines and sentences that blend formal elegance with earthy, idiomatic force, Lueptow weaves surprising and moving connections between ourselves and our histories, just as she reconciles our vulnerability with our fundamental need for what Stevens once called ‘ideas of order.’ But don’t be fooled by this poet’s meticulous technical care: ‘Nimble isn’t the half of it. Fierce is. . . .’ begins ‘Mink and Rabbit,’ and that declaration makes a fitting emblem for Lueptow’s own well-wrought yet ferocious collection.”
—Peter Campion

 


Local Fauna

| Filed under: Wick Chapbook
brodeur cover

Local Fauna opens with a meta-poem about Jack Spicer, and I couldn’t help but think of his ‘dictated’ poetry, poetry as vessel, poetry getting down what needs to be said. Brian Brodeur’s poems have this urgency—life, death, cruelty, politics, war, capitalism, and love. Hard truths come through the past, radio interviews, zoo animals, neighbors, personas, and pop songs. Brian Broduer’s poetry has insistence and morality, inclusivity and beauty. Local Fauna is terrific.”
—Denise Duhamel

 


Determinant

| Filed under: Poetry, Wick Chapbook
Fabrizio cover

“These nineteen supple poems have both a strong sense of unity and a wide spectrum of forms, themes, and moods. Virtuosic writing combines with jagged feeling, and the end result is engaging, dramatic, and unpredictable.”—Henri Cole

“These poems have a strong voice and a bold reach: they turn outwards, finding big subjects and solid narratives. They seek to make a world: and then they persuade the reader to live in it.”—Eavan Boland

 


I Left My Wings on a Chair

| Filed under: Poetry, Wick Chapbook
Schubert cover

“When the wire man in love with the boiled wool woman imagines himself making love with her under the emerald tree and then making her a mouth, is he desiring to make for her a mouth, or to make of her a mouth? Such questions charge Karen Schubert’s off-kilter worlds with a force less like gravity than like Brownian movement: the poems in I Left My Wings on a Chair don’t orbit, they careen.”—H. L. Hix

“Karen Schubert’s latest collection, I Left My Wings on a Chair, reminds me why I love prose poetry. These are beautiful prose poems; each one is a gem; each one is sublime, witty, and surprising. It’s as if she has taken the world that we see and experience every day and given it back again, refreshed, alive, and shimmering. Reading her poems reminds me of reading William Stafford and Naomi Shihab Nye, poets who let you see the mystical and the absurd in the everyday, who make you feel a little better about being alive.” —Nin Andrews

 


Manuscripts for the Wick Poetry Chapbook Series are selected through an open competition of Ohio Poets and through a competition for students enrolled in Ohio universities. For guidelines, write to David Hassler, Director, Wick Poetry Center Department of English, Kent State University, P.O. Box 5190, Kent OH 44242-0001.


This is a chapbook archive