Articulating the search for a cohesive American identity, Matthew Cooperman’s poetry attends to the slippery question of place: its history in personal and cultural memory and its tenuous constitution as family, nature, love, and community. Cooperman uses the metaphor of travel to invoke the necessary motion and distance required to look back at one’s past.
In A Surgeon’s Civil War, the educated and articulate Holt describes camp life, army politics, and the medical difficulties that he and his colleagues experienced. His reminiscences and letters provide an insider’s look at medicine as practiced on the battlefield and offer occasional glimpses of the efficacy of Surgeon General William A. Hammond’s reforms as they affected Holt’s regiment. He also comments on other subjects, including slavery and national events. Holt served until October 17, 1864 when ill health forced him to resign.
Jacob Jennings Brown may well be the most successful—yet forgotten—general of his time. Born into a Pennsylvania Quaker family on the eve of the American Revolution, Brown worked as a Quaker schoolteacher and surveyor and was a pioneer settler of northern New York before serving in the U.S. Army during the War of 1812, eventually rising to the highest command. Early in the war he commanded the militia defending 200 miles of the New York—Canadian border. His successful defense of the Lake Ontario naval base at Sackets Harbor in 1813 was rewarded with a regular army commission as brigadier general. He won more battles against British regular troops than any general in American history, and he was respected by his superiors, his subordinates, and the enemy.
In one of her escapades as a reporter for Joseph Pulitzer’s New York World, the renowned Nellie Bly feigned insanity in 1889 and slipped, undercover, behind the grim walls of Blackwell’s Island mental asylum. She emerged ten days later with a vivid tale about life in a madhouse. Her asylum articles merged sympathy and sensationalism, highlighting a developing professional identity—that of the American newspaperwoman.
