Using a systematic and thematic approach, The Geography of Ohio serves as the definitive study of both the state’s landscape and people scape. Standardized and updated maps are featured throughout in full color, as well as current census and demographic data. With the addition of sidebars, study questions, a glossary, and an extensive bibliography, The Geography of Ohio is the essential text for understanding Ohio’s evolution and its place in the “new order.”

Our Native Trees and How to Identify Them, first published by Charles Scriber’s Sons in 1900, was warmly received at a time when America was rapidly urbanizing and public interest in conservation and the establishment of parks was growing. In her preface, Keeler explained that “the trees described . . . are those indigenous to the region ex-tending from the Atlantic Ocean to the Rocky Mountains and from Canada to the northern boundaries of the southern states; together with a few well-known and naturalized foreign trees.” Profusely illustrated and with a biographical introduction by Carol Poh Miller that illuminates Keeler’s life and accomplishments, this edition of Our Native Trees and How to Identify Them will aid a new generation eager to identify and thus better appreciate what they observe outdoors.

After enjoying exceptional growth at the turn of the last century, Cleveland’s fortunes, like that of many metropolitan centers, have sharply declined. How much of this change is due to characteristics of growth and development, the outmigration of population and investment’ technological advances, and the changing racial composition of the population? On the eve of its bicentennial, Cleveland serves as a paradigm of American urbanization by providing lessons regarding urban America, our communities, and ourselves. Cleveland, A Metropolitan Reader emphasizes the political economy, social development, and history of Cleveland from 1796 to the present.

“The image evoked by Intaglio, this first collection by Ariana-Sophia Kartsonis, rests on a paradox, one perhaps central to the poetic impulse itself: that design can be shaped by what is cut away, by the loss that surrounds it, so that what is missing creates the negative space which raises the figure in relief, presents it to sight, and touch. Relief: a word whose two meanings—one artistic and material, the other emotional and intangible, together suggest how art engraves meaning.” —Eleanor Wilner, Judge

Written over a thirty-year period, the essays included in this volume develop one central theme: the completion of American isolationism in the formative years of the nation. Isolationism, in Kaplan’s view, is not to be taken as economic or cultural independence but as abstention from political or military obligations to Europe, from alliances or from purposeful entanglement in the European balance of power.

In almost all these essays, newly released materials in presidential libraries and in the National Archives have been used. The result is a history of the past 40 years of NATO from an American perspective, placing the alliance within the larger frame of America’s foreign policy as a superpower. The historians’ interpretations benefit from their intimacy with cognate issues on which each has written over the years. Whatever their individual interpretations, each reveals the important role. NATO has played in fashioning the “American Century.”

The novels of Charles Brockden Brown, the most accomplished literary figure in early America, redefined the gothic genre and helped shape some of America’s greatest writers, including Herman Melville, Edgar Allan Poe, and Nathaniel Hawthorne. However, little has been said about the latter years of Brown’s career. While his early novels are celebrated for their innovative and experimental style, Brown’s later historical narratives are often dismissed as uninteresting, and Brown himself has been accused of having become “a stodgy conservative.”

Volume 2, Ourika and Its Progeny, contains the original translation of Claire de Duras’s Ourika as well as a series of original critical essays by twenty-first-century scholars. First published anonymously in 1823, Ourika signifies an important shift from nineteenth-century notions of race, nationality, and kinship toward the identity politics of today. Editors Kadish and Massardier-Kenney and their contributors review the impact of the novel and abolitionist narrative, poetry, and theater in the context of translation studies.

Translating Slavery explores the complex interrelationships that exist between translation, gender, and race by focusing on antislavery writing by or about French women in the French revolutionary period. Now in a two-volume collection, Translating Slavery closely examines what happens when translators translate and when writers treat issues of gender and race. The volumes explore the theoretical, linguistic, and literary complexities involved when white writers, especially women, took up their pens to denounce the injustices to which blacks were subjected under slavery.

In what became The Garden of Eden, Hemingway’s character David Bourne identifies his writing process as the creation of a new, forbidden country, asking himself the questions that drove Hemingway’s own writing, “So where do you go? I don’t know. And what will you find? I don’t know. The bones of the others I suppose.” Justice’s investigations into Hemingway’s creative method illuminate the map of Hemingway’s forbidden country, revealing his writing as a lifelong simultaneous expression of present and past. Justice locates the power of Hemingway’s fiction in this duality—in the paradoxical compulsions toward destruction and creation, lamentation and hope, and fear and love.