George (“Barney”) Crile considers himself a lucky man, lucky to be born when and where he was, lucky to have had the parents he did, lucky in his career, and most of all, lucky in his wives. Barney Crile’s parents were of Cleveland’s elite during that city’s self-described golden age. His father was a founder of the world-famous Cleveland Clinic and a pillar of the medical community. His mother took care of the family and in particular doted on Barney. She kept volumes of letters, photographs, and memorabilia from which her son wrote this fascinating memoir.

Displaying a range of voices and subjects—from dramatic monologues in the voices of Judas Iscariot and John the Baptist to harrowing personal lyrics of family, time, memory, and loss—Creech’s poems examine the difficulties of belief and the transcendent possibilities of common experience, pushing beyond mere surfaces to explore the “kingdom of desire.” Paper Cathedrals confronts the tensions between the here and hereafter, gravity and grace, and religious faith and an allegiance to the passing, sensual world.

“These ‘stone’ poems by Karen Craigo are reminiscent of W. S. Merwin’s deep image poems or Vasko Popa’s surrealist ‘pebble’ poems. But Craigo does Merwin and Popa one better. She manages to create and sustain a complex and shifting personal mythos without sacrificing the mystery and evocative force of the focusing image. Popa’s ‘pebbles’ chanted a mean, gutteral, one-syllable song, but Craigo’s ‘stones’ belt out whole operas. A brilliant debut.”—George Looney

This is a major work, at once synthetic and analytical. The author has drawn on previous studies of Irish music and general melodic theory to describe the inner workings of a rich melodic tradition. Irish folk music, resting upon monophonic melodies which are varied and ornamented, and thus viewed from several perspectives—ethnographic and musical, “insider” and theoretical—to weave an integrated image of a still thriving genre. The concepts of “tune family” and “melody type” are starting points for the qualitative study of melodic change and tune relationships without recourse to simplified tune skeletons or statistics. The concept of “implicit” folk theory leads both to rigorous theoretical analysis and to an examination of the musicians’ own words, thus creating a working model in which a particular performance is understood in a larger context.

The stories in Chekhov’s Doctors are powerful portraits of doctors in their everyday lives, struggling with their own personal problems as well as trying to serve their patients. The fifth volume in the acclaimed Literature and Medicine Series, Chekhov’s Doctors will serve as a rich text for professional health care educators as well as for general readers.

Articulating the search for a cohesive American identity, Matthew Cooperman’s poetry attends to the slippery question of place: its history in personal and cultural memory and its tenuous constitution as family, nature, love, and community. Cooperman uses the metaphor of travel to invoke the necessary motion and distance required to look back at one’s past.

This seasoned newspaperman has been soaking up stray facts and vanishing information for more than five decades. Condon’s voracious appetite for facts and a nose for where to find them bring alive this Cleveland history, engaging the reader with his authentic stories, humorous anecdotes, and fond perspective. West of the Cuyahoga fills a gap in the history of Cleveland, Ohio, and reveals the gleanings of a lifetime for a local journalist and raconteur.

Placing the bilateral relationship in a global context, this military and diplomatic history examines the importance of ideology, material interests, and power in U.S.-Latin American relations. Historian Bradley Coleman demonstrates how the making of the Colombian-American alliance exemplified hemispheric interconnectedness, a condition of ever-growing importance in the twenty-first century. Employing available Colombian and U.S. archival sources, this book fills a gap in the literature on U.S. relations with less developed countries and provides new research on the origins an development of the U.S–Colombian alliance that will serve as an invaluable resource for scholars of U.S. and Latin American diplomacy.

“Imagine a love of small towns ringed by mountains, a shrewd ear for lonely folks’ dialogue, and a music that seems to pour out of your own life as you read these poems. Likely is a book brimming with surprises and beauty; it left me breathless.” —Alicia Suskin Ostriker

Forbes Watson, art commentator for the New York Evening Post and New York World, was probably best known as the editor of The Arts, the liveliest and most influential art magazine of the 1920s. He quickly gained a reputation as an outspoken ally of progressive American artists and a caustic annihilator of those who got in their way. This charming, confrontational connoisseur, with a knack for offending officialdom, captivated readers and attracted loyal adherents. This same anti-authority streak cost him position after position, however, and ultimately blurred his historical legacy. But Watson’s ideas were important and his life was interesting, making him a fascinating subject for this interpretive biography.