The poems in Sister Tongue explore negative spaces—the distance between twin sisters, between lovers, between Farsi and English, between the poet’s upbringing in California and her family in Iran. This space between vibrates with loss and longing, arcing with tension. Farnaz Fatemi’s poetry delves into the intricacies of the relational space between people, the depth of ancestral roots, and the visceral memories that shimmer beyond the reach of words.

In March 2021, the Wick Poetry Center at Kent State University and the University of Arizona Poetry Center launched the website for the Global Vaccine Poem project, inviting anyone to share experiences of the pandemic and vaccination through poetry. Dear Vaccine features selections from over 2,000 poetry submissions to the project, which come from all 50 states and 118 different countries.

Living at the intersection of medicine and art, medical illustration is a field that is not well understood by most—especially by physicians and other healthcare practitioners. In this comprehensive and practical guide to medical illustration, pediatric surgeon François I. Luks provides a useful overview of the field and explains its essential function in facilitating true communication between healthcare providers and their patients.

The Brilliance of Charles Whittlesey offers the first full-length biography of one of the most outstanding and influential Americans of the 19th century, Charles Whittlesey (1808–1886). Whittlesey advanced numerous fields, including geology, exploration, history, archaeology, and military strategy. Much of his work, however, has been treated as a mere footnote of American history and largely neglected by historians.

Continuous innovation and experimentation with the materials used in constructing textiles, apparel, and accessories creates an ever-growing challenge for professional curators and collectors. Recognizing problematic fibers, dyes, finishes, and fabric and yarn constructions is crucial for maintaining objects’ appearance, minimizing deterioration, and isolating those that are potentially harmful to other objects.

A study of myth suggests that the stories we human beings tell ourselves about who we are make us who we are. Amber Lehning extends such discussion into the ecocritical realm, arguing that the stories we tell ourselves about our relationship to the natural world are at least as powerful as science or government policy as drivers of our behavior toward our planet. The destructive modern myths underlying today’s environmental crises create a kind of intellectual separation between humanity and its environment that can end up justifying the worst of environmental excesses—and perhaps, she argues, the only way to counter these negative humans-versus-nature stories is to shift some of the deep belief they command into new, positive, restorative stories.