“When the wire man in love with the boiled wool woman imagines himself making love with her under the emerald tree and then making her a mouth, is he desiring to make for her a mouth, or to make of her a mouth? Such questions charge Karen Schubert’s off-kilter worlds with a force less like gravity than like Brownian movement: the poems in I Left My Wings on a Chair don’t orbit, they careen.”—H. L. Hix

“Karen Schubert’s latest collection, I Left My Wings on a Chair, reminds me why I love prose poetry. These are beautiful prose poems; each one is a gem; each one is sublime, witty, and surprising. It’s as if she has taken the world that we see and experience every day and given it back again, refreshed, alive, and shimmering. Reading her poems reminds me of reading William Stafford and Naomi Shihab Nye, poets who let you see the mystical and the absurd in the everyday, who make you feel a little better about being alive.” —Nin Andrews

“This book is a document of a particular world, real, wrenched from the poet’s life, as if written with a gun to his head or a spike through his heart. Reading it is like opening a damp newspaper wrapped around a big fish just caught, fins glistening, scales shining, one rhymed eye open and looking right at you, daring you to eat the whole thing.”—Dorianne Laux, author of The Book of Men

Thousands of volumes of Civil War letters are available, but little more than a dozen contain collections written by native Germans fighting in this great American conflict. Yankee Dutchmen under Fire presents a fascinating collection of sixty-one letters written by immigrants who served in the 82nd Illinois Volunteer Infantry Regiment. The 82nd Illinois was one of the thirty or so predominantly “German Regiments” in the Union army, and one of only two Federal regiments containing a Jewish company. Fighting alongside the Germans was a company of Scandinavians, plus a scattering of immigrants from many other countries.

Repousis chronicles American public attitudes and government policies toward modern Greece from its war for independence (1821–1829) to the Truman Doctrine (1947) when Washington intervened to keep Greece from coming under communist domination.

Daniel Carter’s Here Both Sweeter is a book in which you “have a seedling in each pocket,” a “body bodies,” and words are something you “carve out” so as to make a home. The poems are stories, are seeds, are secret messages cast and sent across the natural world to a reader, where they blossom in the imagination. The plot is “scatter-wild,” the lyrics “all willful and fallow.” Carter’s language serves as a garden, rich and strange, full of acorns and ink and ash, and in it the green world (of nature, of the heart and body, of words and ideas) is overturned, recycled, and remade.

Spanning oceans and continents, language and the imagination, the unfathomable distances between people and their desires, Allison Davis’s Poppy Seeds creates an “immaculate atlas.” Here language is “broken. . . against the margin of the sea,” and a word is a thing that can be “wash[ed] away.” Here the body is both a lesson and a place with an edge you can drive to. The book “longs[s] for as long as Ohio rivers.” Tangled between worlds and languages both old and new, our deepest emotions search for their roots, hoping to find a place to call home.

“I’m moved by the way that Carolyn Creedon’s work treats experience as sacred. She won’t look away from difficult truths. She writes frankly about her own frustrations, longings, and heartbreaks, but she also recognizes the suffering of others—their secret grievances and griefs. The daily working world is here in full measure. And yet there’s an oddly religious feeling that keeps breaking through this volume, which cherishes the small things, the lesser divinities, and ends with a prayer. It heartens me to welcome this fiery and fervent book, this wet collection, into the world.”

In 1822, Denmark Vesey was found guilty of plotting an insurrection—what would have been the biggest slave uprising in U.S. history. In Denmark Vesey’s Revolt, John Lofton draws upon primary sources to examine the trial and provide, as Peter Hoffer says in his new introduction, “one of the most sensible and measured” accounts of the subject. This classic book was originally published in 1964 as Insurrection in South Carolina: The Turbulent World of Denmark Vesey, and then reissued by the Kent State University Press in 1983 as Denmark Vesey’s Revolt: The Slave Plot That Lit a Fuse to Fort Sumter.

When the Strategic Arms Limitation Talks (SALT) between the Soviet Union and United States faltered during the administration of Jimmy Carter, National Security Advisor Zbigniew Brzezinski claimed that “SALT lies buried in the sands of the Ogaden.” How did superpower détente survive Vietnam but stumble in the Horn of Africa?

Upon discovering that her great-great aunt was the victim and central figure in one of Illinois’s most notorious crimes, author Susan Elmore set out to learn more. She uncovered a perplexing case that resulted in multiple suspects, a lynch mob, charges of perjury and bribery, a failed kidnapping attempt, broken family loyalties, lies, cover-ups, financial devastation, and at least two suicides.