During the summer of 1864 a Union column, commanded by Maj. Gen. Andrew Jackson Smith, set out from Tennessee with a goal that had proven impossible in all prior attempts—to find and defeat the cavalry under the command of Confederate major general Nathan Bedford Forrest. Forrest’s cavalry was the greatest threat to the long supply line feeding Sherman’s armies as they advanced on Atlanta.

In language that resonates with power and beauty, this compilation of personal letters written from 1844 to 1864 tells the compelling story of controversial newspaper editor Will Tomlinson, his opinionated wife (Eliza Wylie Tomlinson), and their two children (Byers and Belle) in the treacherous borderlands around that “abolitionist hellhole,” Ripley, Ohio. The

Printer’s Kiss includes many of Tomlinson’s columns that appeared in the Ripley Bee, the local Ripley newspaper, and excerpts from a short story in the Columbian Magazine. It features many of his letters to his family and a remarkable number of letters from Eliza and the children to Tomlinson while he was away during the Civil War, serving variously as quartermaster sergeant for the Fifth Ohio, as captain of a company of counterinsurgents in West Virginia, as an independent scout and spy in Kentucky, as a nurse on a hospital boat, and as a compositor for the Cincinnati Gazette.

Thousands of volumes of Civil War letters are available, but little more than a dozen contain collections written by native Germans fighting in this great American conflict. Yankee Dutchmen under Fire presents a fascinating collection of sixty-one letters written by immigrants who served in the 82nd Illinois Volunteer Infantry Regiment. The 82nd Illinois was one of the thirty or so predominantly “German Regiments” in the Union army, and one of only two Federal regiments containing a Jewish company. Fighting alongside the Germans was a company of Scandinavians, plus a scattering of immigrants from many other countries.

“Race and Recruitment pulls readers right into the middle of the most important scholarly conversations about race, slavery, and the Civil War that have taken place over the last half century. Each of these sixteen essays has stood the test of time, asking the big questions and offering the answers that have forever changed the way historians talk about the middle of the nineteenth century.

“Feel the Bonds That Draw” presents nearly 200 images from the extensive Civil War photographic collections of Cleveland’s Western Reserve Historical Society, complementing author Christine Dee’s reflections on topics such as historical memory, the war as economic engine, and the impact of mobilization and combat on civilians and the environment. “Feel the Bonds That Draw” is a fine addition to the library of anyone interested in the history of America’s cruelest conflict.