Selected Works of Elinor Wylie contains 113 of the 161 poems Wylie chose for the volumes published in her lifetime and 100 more that appeared in Collected Poems and in Last Poems. Also included are the first chapters of each of her novels, Jennifer Lorn, The Venetian Glass Nephew, The Orphan Angel, and Mr. Hodge and Mr. Hazard. Editor and scholar Evelyn Hively chose short stories, essays, reviews, and articles to further define Wylie’s rich and broad repertoire and her place on the 1920s literary scene. Scholars and researchers of this modern woman writer and her contemporaries will find this a welcome addition to women’s literary studies.

A Sense of Tales Untold examines the margins of J. R. R. Tolkien’s work: the frames, edges, allusions, and borders between story and un-story and the spaces between vast ages and miniscule time periods. The untold tales that are simply implied or referenced in the text are essential to Tolkien’s achievement in world-building, Peter Grybauskas argues, and counter the common but largely spurious image of Tolkien as a writer of bloated prose.

“Seven Boxes for the Country After is a book about a way-making and way-finding. It is a journey, both internal and external, across a map, over borders, through a life, and in a body. It is passage and pilgrimage, odyssey and exile. Above all it is a book of questions. What do we carry with us and what do we leave behind? Where do we keep the past and what do we keep it in? How do we measure a person, a country, a love, a loss? What do we remember? What can’t we forget? What do we declare and what do we declare it with: our words and mouths? our bodies and hands? in blue ink or black? If as Eudora Welty wrote, ‘The memory is a living thing—it too is in transit,’ then McAdams is an honest and faithful courier. The poems serve as storage boxes into which a memory is placed, then wrapped and bound. In poem after poem McAdams guides us to our most intimate spaces, the candy tin nestled between the handkerchiefs in a dresser’s top drawer, the cigar box packed in the trunk and stored in the attic, and she allows us to open and sit with our deepest selves.”
—Catherine Wing

Janice Brown examines Sayer’s major works, beginning with her early poetry and moving through her works of fiction to the dramas, essays, and lectures written in the last years of her life. She illustrates how Sayers used popular genres to teach about sin and redemption, how she redefined the Seven Deadly Sins for the twentieth century, why she stopped writing mysteries, and her application of the concepts of sin and redemption to society as a whole.

“Will Toedtman approaches all his subjects—from street football to Orpheus—with nothing less than full attention. His voice is distinctive, and it clearly has something to say. A steady gaze, subtle pacing, and an ear for the rhythms of both speech and tradition shape these thoughtful poems. In The Several World insight and craft come together in a seamless working whole.” –Don Bogen

The Battle of Antietam, fought in Sharpsburg, Maryland, on September 7, 1862, was the bloodiest single day of the Civil War, with 23,000 casualties on both sides. While the battle was tactically inconclusive, it resulted in two significant milestones. First, because Robert E. Lee failed to carry the war successfully into the North, Great Britain was dissuaded from recognizing the Confederate States of America diplomatically. Second, the battle gave President Abraham Lincoln the confidence to issue the Emancipation Proclamation.

A hard-edged mixture of hilarious and heartbreaking memories, Tully’s autobiographical Shanty Irish digs deep into the soil of his native Ohio to show what life was like in the late nineteenth century for a poor Irish-American family. Within the covers of this acclaimed work, we meet the author’s father, also named Jim Tully, “a gorilla built” ditchdigger whose stooped shoulders carry “the inherited burdens of a thousand dead Irish peasants.” We meet his mother, Biddy, a “woman of imagination” who “had all the moods of April.” We meet his uncle, ruthless John Lawler, who was tried, convicted, and sentenced to fifteen years in the Ohio penitentiary for stealing horses. And we meet his grandfather, Old Hughie Tully, “born with the gift of words”—“capable of turning death into an Irish wake and pouring liquor down the throat of the corpse.”

The Shared Witness of C. S. Lewis and Austin Farrer explores a number of areas that demonstrate the ways in which Lewis and Farrer both intersected and influenced each other’s thought. Both insisted that myth prepared the heart for a sense of divine glory and even had a place in the Christian scriptures.

Lester Goran’s first book of short stories, Tales from the Irish Club, was chosen by the New York Times Book Review as a “Notable Book of the Year 1996.” This second collection also centers around a group of men and women in an Irish-American enclave in Pittsburgh, primarily during the years surrounding World War II, but extending at times into the eighties. With evocative settings and narratives ranging from the supernatural to the humorous, from bawdy hilarity to richly detailed realism, Goran creates once more his world of poignant and magical times and places within the mundane affairs of ordinary men and women. With his mastery of language and images he shows again what Paul West has termed “the lunatic sadness of things.”

Marszalek traces the roots of Sherman’s hostility toward the press and details his attempts to muzzle reporters during the Civil War, culminating in Sherman’s exclusion of all reporters from his famous March to the Sea. Despite the passage of over a century, the question of press rights in wartime situations is very much today what it was during the Civil War. Marszalek finds a recurring movement toward repression of the press, with Sherman’s attitudes and practices only one of the most obvious examples. He also finds that press rights during wartime have often been governed by reactions to specific circumstances rather than treated as a constitutional issue.