Author Craig A. Warren explores seven popular novels about the Civil War—The Red Badge of Courage, Gone with the Wind, None Shall Look Back, The Judas Field, The Unvanquished, The Killer Angels, and Absalom, Absalom! His study reveals that the war owes much of its cultural power to a large but overlooked genre of writing: postwar memoirs, regimental histories, and other narratives authored by Union and Confederate veterans. Warren contends that literary scholars and historians took seriously the influence that veterans’ narratives had on the shape and character of Civil War fiction.

At the center of this evolution is the contention that Hemingway’s preoccupation with and scientific study of life in the Gulf Stream moved his theory and practice of writing away from the Paris art circle of the 1920s to the new realism of the 1950s. A Sea of Change explores the importance of Hemingway’s relationship to the waters of the Gulf Stream that transformed his imaginative work.

Notable Civil War historians herein continue the evaluation of select commanders begun in The First Day at Gettysburg: Essays on Confederate and Union Leadership. Using fresh manuscript sources coupled with a careful consideration of the existing literature, they explore issues such as Robert E. Lee’s decision to renew the tactical offensive on July 2; James Longstreet’s effectiveness in executing Lee’s plan; the origin and impact of Daniel E. Sickle’s decision to advance his Third Corps, which formed the infamous “Sickle’s Salient”; the little-understood role of Henry W Slocum and his Union Twelfth Corps; and the contribution of John C. Caldwell’s division in the maelstrom of the Wheatfield.

“The publication of The Secret Turning of the Earth announces the arrival of an American poet who moves through space and time—the Venice of 1740, Paris in 1900 , 1948 Boston, present day Columbus—exercising a singular vision. These strong, ambitious poems are mapped out by means of what Anthony Libby calls ‘the geometries of seeing’; they pay that fierce and unwavering attention we expect only from the boldest, most perceptive travelers.”—David Citino

Through interdisciplinary and comparative analysis, Seeing Drugs examines the contours of the burgeoning drug war, the cultural significance of drugs and addiction, and their links to the formation of national identity within the United States, Thailand, Burma, and Mexico. By highlighting the prevalence of modernization and counterinsurgency discourse within drug-control policy, Weimer reveals an unexplored and important facet of the history of U.S–Third World interaction.

Author Douglas R. Hoffman explores sacredness in houses of worship and examines the critical question of what architectural elements contribute to make sacred space. His underlying premise is that sacred space, while ephemeral, can be perceived and understood through a careful investigation of its architecture. After laying out the definition and architectural attributes of sacred space, Hoffman examines four contemporary American examples: the Cathedral of Our Lady of the Angels in Los Angeles, Adath Jeshurun Synagogue in Minnetonka, Minnesota, the Islamic Cultural Center in New York City, and Riverbend Church in Austin, Texas.

Selected Works of Elinor Wylie contains 113 of the 161 poems Wylie chose for the volumes published in her lifetime and 100 more that appeared in Collected Poems and in Last Poems. Also included are the first chapters of each of her novels, Jennifer Lorn, The Venetian Glass Nephew, The Orphan Angel, and Mr. Hodge and Mr. Hazard. Editor and scholar Evelyn Hively chose short stories, essays, reviews, and articles to further define Wylie’s rich and broad repertoire and her place on the 1920s literary scene. Scholars and researchers of this modern woman writer and her contemporaries will find this a welcome addition to women’s literary studies.

A Sense of Tales Untold examines the margins of J. R. R. Tolkien’s work: the frames, edges, allusions, and borders between story and un-story and the spaces between vast ages and miniscule time periods. The untold tales that are simply implied or referenced in the text are essential to Tolkien’s achievement in world-building, Peter Grybauskas argues, and counter the common but largely spurious image of Tolkien as a writer of bloated prose.

“Seven Boxes for the Country After is a book about a way-making and way-finding. It is a journey, both internal and external, across a map, over borders, through a life, and in a body. It is passage and pilgrimage, odyssey and exile. Above all it is a book of questions. What do we carry with us and what do we leave behind? Where do we keep the past and what do we keep it in? How do we measure a person, a country, a love, a loss? What do we remember? What can’t we forget? What do we declare and what do we declare it with: our words and mouths? our bodies and hands? in blue ink or black? If as Eudora Welty wrote, ‘The memory is a living thing—it too is in transit,’ then McAdams is an honest and faithful courier. The poems serve as storage boxes into which a memory is placed, then wrapped and bound. In poem after poem McAdams guides us to our most intimate spaces, the candy tin nestled between the handkerchiefs in a dresser’s top drawer, the cigar box packed in the trunk and stored in the attic, and she allows us to open and sit with our deepest selves.”
—Catherine Wing

Janice Brown examines Sayer’s major works, beginning with her early poetry and moving through her works of fiction to the dramas, essays, and lectures written in the last years of her life. She illustrates how Sayers used popular genres to teach about sin and redemption, how she redefined the Seven Deadly Sins for the twentieth century, why she stopped writing mysteries, and her application of the concepts of sin and redemption to society as a whole.