There is no shortage of literature addressing the workings, influence, and importance of NATO and the Warsaw Pact individually or how the two blocs faced off during the decades of the Cold War. However, little has been written about the various intrabloc tensions that plagued both alliances during the Cold War or about how those tensions affected the alliances’ operation. The essays in NATO and the Warsaw Pact seek to address that glaring gap in the historiography by utilizing a wide range of case studies to explore these often-significant tensions, dispelling in the process all thoughts that the alliances always operated smoothly and without internal dissent.

In the first half of the 20th century, American society mobilized for the three great wars: World War I, World War II, and the Cold War. During this tumultuous period, the Brethren in Christ joined other pacifists in opposing participation in the mobilizations. Like the Amish, Mennonites, and Church of the Brethren—other groups descended from sixteenth-century European Anabaptists—the Brethren in Christ held nonresistant pacifism as a fundamental aspect of their identity. They carried out their peace witness, however, not as an isolated community but as one integrated economically, technologically, and culturally into American society.

The Plants of Middle-earth draws on biography, literary sources, and cultural history and is unique in using botany as the focal point for examining the complex network of elements that comprise Tolkien’s creation. Each chapter includes the plants’ description, uses, history, and lore, which frequently lead to their thematic and interpretive implications. The book will appeal to general readers, students, and teachers of Tolkien as well as to those with an interest in plant lore and botanical illustration.

Professor Peter L. Hays, an experienced teacher who has taught The Sun Also Rises for more than forty years, has gathered together other seasoned instructors who teach Ernest Hemingway’s rich and complex novel. An informative collection of approaches to the presentation of The Sun Also Rises, this volume provides historic background and a glossary of arcane references, presents critical interpretations, and offers methodologies to inspire teachers of college and high school students.

Herman Melville’s reputation as a great writer has gradually evolved throughout the past century. Tempered by studies that emphasize the Western literary tradition, literary appreciation for Melville’s use of folklore has been slow in developing. This ground-breaking study brings to the forefront the depth of Melville’s immersion with and borrowing from oral traditions. Though intended as a survey of Melville’s use of folklore, this book serves also as a general introduction to his work. Unencumbered by critical jargon and narrated in an engaging manner, this book will appeal to general readers as well as seasoned scholars of Melville.

This comprehensive new three-volume guide to the early art and artists of Ohio is a compendium of hard-to-find information. The result of more than twelve years of research in community archives, newspapers, business directories, census returns, genealogical records, and manuscripts, Artists in Ohio, 1787-1900 is the most ambitious and complete attempt ever made to document the state’s artistic origins and growth. The authors have uncovered and remedied innumerable gaps and erros in standard reference works. They have also brought to light new information about thousands of forgotten men and women, once well-known in their communities, who achieved success in either the fine arts or the decorative and “practical” arts of photography, ornamental penmanship, tombstone carving, china painting, illustrating, cartooning, and the execution of panoramas and theatrical scenery.

The Hasslers, in their analyses of the letters, explore Machen’s versatility as a writer and offer an interpretation of his group and its opposition to literary modernism. This extensive publication of his letters will fascinate fans of horror fiction, for whom Machen is an early classic, and scholars of fantasy, science fiction, and literature in general. Book collectors and historians of bookselling and collecting also will find much of interest here.

When photographer Gary Harwood first stepped onto the K. W. Zellers family farm in Hartville, Ohio, to take pictures of the Mexican migrant workers there, he did not expect to find such a strong, tightly knit community. Over the next five years he used his camera to study the lives and work of these migrants in their northeastern Ohio home. His artful photography captures the migrants’ portraits and movingly conveys their great pride in work and family, their struggles and joys.

A companion volume to Taken at the Flood, this book identifies areas of research and in-depth source materials for studies of the Maryland campaign.

Complementing Confederate Tide Rising, which covers the origins of the Maryland campaign, Taken at the Flood is a detailed account of the military campaign itself. It focuses on military policy and strategy and the context necessary to understand that strategy. A fair appraisal of the campaign requires a full appraisal of the circumstances under which the two commanders, Robert E. Lee and George B. McClellan, labored. Harsh attempts to discover what they believed their responsibilities were and what they tried to accomplish; to evaluate the human and logistical resources at their disposal; and to determine what they knew and when the learned it.