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Haskell of Gettysburg

and | Filed under: Civil War Era
Haskell Book Cover

All students of the Civil War are indebted to Frank Haskell for his classic description of the battle of Gettysburg. A lieutenant on the staff of John Gibbon, Haskell stood at the focus of the Confederate assault on July 3, 1863. He wrote of the battle in a letter to his brother. When it came to light after the war it became and remains probably the most read and repeated account of Civil War combat written by a participant. It captures wholly the terrible fascination that the Civil War—and Gettysburg—holds for all Americans.

 


The Heart’s Pangaea

| Filed under: Poetry, Wick Chapbook
Neale Book Cover

“Everywhere we have been since beginning/Is Mapped in the memory somewhere,’ writes Susan Neale at the outset of this ambitiously conceived and enormously satisfying collection of poems. Here is a poet who wants nothing less than to know the past. Her fields of study are the history of light and darkness, of language and other ways of saying, of reality and dream, and, especially, of women and men as they move toward one another and away in their seismic, often cataclysmic dancing, a continental rift and drift originating in a long-ago state of innocence and wholeness Neal calls ‘the heart’s Pangaea.’ In this debut collection sure to attract wide attention, Susan Neale gives us richly detailed maps leading to discoveries about where we human beings have been, where we are, and where in the world, together and apart, we’re bound.”—David Citino

 


The Heart’s Truth

| Filed under: Audiobooks, Award Winners, Explore Women's History, Literature & Medicine, Medicine

What is it like to be a student nurse washing the feet of a dying patient? To be a newly graduated nurse, in charge of the Intensive Care Unit for the first time, who wonders if her mistake might have cost a life? Or to be an experienced nurse who, by her presence and care, holds a patient to this world? Poet and nurse practitioner Cortney Davis answers these questions by examining her own experiences and through them reveals a glimpse into the minds and hearts of those who care for us when we are at our most vulnerable. The Heart’s Truth offers the joys, frustrations, fears, and miraculous moments that nurses, new and experienced, face every day.

 


Hell’s Wasteland

| Filed under: Black Squirrel Books, True Crime

Did the Mad Butcher of Cleveland also strike in Pennsylvania?

From 1934 to 1938, Cleveland, Ohio, was racked by a classic battle between good and evil. On one side was the city’s safety director, Eliot Ness. On the other was a nameless phantom dubbed the “Mad Butcher of Kingsbury Run,” who littered the inner city with the remains of decapitated and dismembered corpses. Never caught or even officially identified, the Butcher simply faded into history, leaving behind a frightening legend that both haunts and fascinates Cleveland to this day. In 2001 the Kent State University Press published James Jessen Badal’s In the Wake of the Butcher: Cleveland’s Torso Murders, the first serious, book-length treatment of this dark chapter in true crime history. Though Murder Has No Tongue: The Lost Victim of Cleveland’s Mad Butcher—a detailed study of the arrest and mysterious death of Frank Dolezal, the only man ever charged in the killings—followed in 2010.

 


Helping Others, Helping Ourselves

| Filed under: History
Helping Book Cover

Individuals and communities have historically reinforced values and shaped society in ways that best fit their own objectives. This exciting new study reevaluates the crucial interaction between religious, ethnic-, racial, -gender-, and class-based values and ideals and giving. It explores the nature and meaning if giving in urban America by examining the African American and Italian populations of Cleveland.

 


Hemingway and Film

and | Filed under: Forthcoming, Hemingway Studies, Literature & Literary Criticism, Teaching Hemingway
Hemingway and Film-cover. Cam Cobb and Marc K. Dudley

Though Ernest Hemingway distrusted Hollywood and often found himself in conflict with directors and producers, he frequented theaters and freely acknowledged the art and potential that cinema contained. In turn, the film industry’s interest in his stories has endured for nearly a century. Focusing on the relationship between written and cinematic work, Hemingway and Film brings together diverse literary and film studies scholars to both deepen understanding of Hemingway’s fiction and film adaptations and to provide practical guidance for approaching these topics in the classroom.

[tab:Editors]

Cam Cobb is associate professor of education at the University of Windsor and a rock journalist. He is the author of What’s Big and Purple and Lives in the Ocean? and Weighted Down: The Complicated Life of Skip Spence, and he codirected Buskin’ in the Subway, which competed in the Windsor International Film Festival.

Marc K. Dudley is professor of American literature and Africana studies at North Carolina State University. He appeared in the 2021 PBS documentary Hemingway and is the author of Hemingway, Race, and Art: Bloodlines and the Color Line; Understanding James Baldwin; and the forthcoming Understanding Ralph Ellison.

 


Hemingway and French Writers

| Filed under: Hemingway Studies, Literature & Literary Criticism
Stoltzfus cover

In Hemingway and French Writers, Ben Stoltzfus illuminates the connections between Hemingway and the most important French intellectuals, such as Gustave Flaubert, Marcel Proust, André Gide, Jacques Lacan, Jean-Paul Sartre, Henry de Montherlant, André Malraux, and Albert Camus. A distinguished scholar of both French literature and Hemingway studies, Stoltzfus compares Hemingway’s major works in chronological order, from The Sun Also Rises to The Old Man and the Sea, with novels by French writers. While it is widely known that France influenced Hemingway’s writing, Hemingway also had an immense impact on French writers. Over the years, American and French novelists enriched each other’s works with new styles and untried techniques. In this comparative analysis, Stoltzfus discusses the complexities of Hemingway’s craft, the controlled skill, narrative economy, and stylistic clarity that the French, drawn to his emphasis on action, labeled “le style américain.”

 


Hemingway in Comics

| Filed under: Comics, Hemingway Studies, Recent Releases
Hemingway in Comics cover

Ernest Hemingway casts a long shadow in literature—reaching beyond his status as a giant of 20th-century fiction and a Nobel Prize winner—extending even into comic books. Appearing variously with Superman, Mickey Mouse, Captain Marvel, and Cerebus, he has even battled fascists alongside Wolverine in Spain and teamed up with Shade to battle adversaries in the Area of Madness.

 


Hemingway in the Digital Age

| Filed under: Hemingway Studies, Literature & Literary Criticism, Teaching Hemingway
Hemingway in the Digital Age. Edited by Laura Godfrey

How can we convince readers, and especially students, to slow down to the crawl that is often necessary to see the real power in the compressed language Hemingway uses to tell a story? Are there qualities of digital age life that make students, somehow, more connected to Hemingway’s life and his writing? How can we compare the 21st-century “transhumanist” interest in making ourselves into “something more than merely human” with Hemingway’s characters like Nick Adams, Jake Barnes, Frederic Henry, Catherine Barkley, Pilar, Robert Jordan, or Santiago, all of whom similarly wrestle within the bounds of their own mortality? Laura Godfrey has assembled a group of scholars who speak eloquently to these questions.

 


Hemingway, Cuba, and the Cuban Works

and | Filed under: Hemingway Studies
Grimes and Sylvester Cover

The volume opens with an examination of Hemingway’s place in Cuban history and culture, evaluations of the man and his work, and studies of Hemingway’s life as an American in Cuba. These essays look directly at Hemingway’s Cuban experience, and they range from the academic to the journalistic, allowing different voices to speak and different tones to be heard. The first section includes reflections from Gladys Rodriguez Ferrero, former director of the Museo Finco Vigía, who describes the deep affection Cubans hold for Hemingway; and recollections from the now-adult members of “Gigi’s All Stars,” the boys’ baseball team that Hemingway organized in the 1940s.