Author Glen N. Wiche has compiled all of Allen’s Civil War dispatches to the U.S. State Department and provides well-documented commentary to place Allen’s activities in the wider context of the “Atlantic campaign” of the Civil War. Dispatches from Bermuda paints a detailed picture of these activities and offers a rare account of this blockade-running traffic from a northern perspective.
This exploration of the artistry of Romeo Celleghin reveals the pressing need to undertake research and documentation of religious and sacred artwork before records and art pieces are lost or forgotten forever. Whitelaw’s discoveries help illuminate the path for others and have not only recovered the beauty of Celleghin’s art, but remind us to be vigilant in honoring and preserving the significant works of art that enhance our houses of worship.
“Energy, dynamic energy emanates from Mary Weems’ careful, observing eyes into her language. These poems offer immediacy, intelligent response, and rich repartee with the difficult urban world of a gentle warrior.”—Diane Wakoski
Invoking the sacred and the profane, Juliana Gray Vice speaks to the reader with a powerful voice. The poetry of History in Bones catechizes the reader with the mundane and the extraordinary.
Built by Daniel R. Hanna as a tribute to his theater-loving father, Marcus Hanna, the Hanna Theatre opened its doors on March 28, 1921, with an adaptation of Mark Twain’s The Prince and the Pauper starring William Faversham. Billed as a “Broadway-style theater,” the Hanna was located not on Euclid Avenue but around the corner on the side street of East 14th. Its interior decor was opulent, finished in what was described as a combination of Italian Renaissance and Pompeian style, and the stage was described as “large enough . . . to present the best plays offered; but intimate enough to present the quietest comedy or drama to the best advantage.”
Spotting a trend in the early 1950s of staging summer theater in the round under tents, Clevelander John L. Price Jr. decided to give it a try. Consulting a local statistician to determine the geographical center of the culturally inclined population, the bull’s-eye fell in Warrensville Heights, a Cleveland suburb that was also the home to Thistledown Race Track. Price opened his Musicarnival there, on the grounds of the race track, with a production of Oklahoma! in the summer of 1954. The Music Went ’Round and Around tells the story of this unique summer theater and of its ebullient founder, John L. Price Jr.
This work takes the reader from the city’s first professional theatrical presentation in 1820, through the heyday of vaudeville, to the grand reopening of the newly renovated Allen Theater in 1999 and the return of touring Broadway shows to Cleveland. In 1820 Cleveland was able to draw a visit from a troupe of professional actors. With no theater in which to perform, the troupe made do with Mowrey’s Tavern on Public Square.
This first volume in the new Teaching Hemingway Series is a collection of richly nuanced, insightful, and innovative essays on teaching A Farewell to Arms from authors with varied backgrounds, including all levels of secondary and higher education. Read separately, the essays contribute to an enhanced understanding and appreciation of this master work. These seasoned instructors offer practical and creative classroom strategies, sample syllabi, and other teaching tools. Contributors include J. T. Barbarese, Brenda Gaddy Cornell, Peter L. Hays, Jennifer Haytock, Ellen Andrews Knodt, Any Lerman, James H. Meredith, Kim Moreland, Jackson A. Niday II, Charles M. (Tod) Oliver, Mark P. Ott, David Scoma, Gail D. Sinclair, Tom Strychacz, Frederic Svoboda, and Lisa Tyler.
“Will Toedtman approaches all his subjects—from street football to Orpheus—with nothing less than full attention. His voice is distinctive, and it clearly has something to say. A steady gaze, subtle pacing, and an ear for the rhythms of both speech and tradition shape these thoughtful poems. In The Several World insight and craft come together in a seamless working whole.” –Don Bogen
“A clear, seemingly effortless voice and a special curiosity animate the world Liz Tilton gives us in Salt. And it is a world, ranging from domestic life—loose change, gardening, the intricacies of love—to manatees and the governor of Texas. Discoveries abound. Salt is smart, subtle, and essential.”—Don Bogen
