Herman Melville’s literary reputation is based chiefly on his fiction, especially Moby-Dick and Billy Budd. Yet he was a gifted poet, as evidenced by his collection of Civil War poems, Battle-Pieces and Aspects of the War (1866), and by his epic-length poem, Clarel (1876), a symbolic rendering of his pilgrimage of 1856–57 to the Holy Land, as well as the two small volumes of poems he published before his death in 1891.

In Melville’s Clarel and the Intersympathy of Creeds, Potter examines the poem within a historical context and by so doing attempts to resolve some of the issues critics have asserted the poem presents. He reviews the burgeoning field of comparative religion in the eighteenth and nineteenth centuries and includes discussions of many of the theories and ideas of well-known figures of the time, such as Hegel, Hume, Müller, Emerson, Whitman, and Schopenhauer. Potter attempts to account for the huge abundance of non-Christian material that appears in the poem. He maintains that Melville answers the nineteenth-century questions of faith through the heterodoxical themes and ideas shared by all religions that lie beneath their very different doctrines—redemptive suffering, the tempered heart, and the aversion to worldliness.

Herman Melville’s reputation as a great writer has gradually evolved throughout the past century. Tempered by studies that emphasize the Western literary tradition, literary appreciation for Melville’s use of folklore has been slow in developing. This ground-breaking study brings to the forefront the depth of Melville’s immersion with and borrowing from oral traditions. Though intended as a survey of Melville’s use of folklore, this book serves also as a general introduction to his work. Unencumbered by critical jargon and narrated in an engaging manner, this book will appeal to general readers as well as seasoned scholars of Melville.

Fifty years after America’s involvement in the Korean War began, Richard E. Mack’s memories of his time spent on the front lines are still strong and clear. In Memoir of a Cold War Soldier, he recalls his service in front-line combat infantry units in Korea and Vietnam as rifle platoon leader, adviser, and battalion commander. His accounts, perceptions, and observations of the military culture are incisive and candid.

Otto kept a journal throughout the war and afterward arranged his reminiscences in a memoir, which he completed around 1890. Captain John Henry Otto was a keen observer, and his memoirs paint a vivid picture of the life of a common soldier and of a line officer at the company level during the Civil War. Memoirs of a Dutch Mudsill will appeal to Civil War enthusiasts and scholars.

In the heyday of Civil War commemoration at the turn of the twentieth century, Mississippi’s Vicksburg National Military Park was considered “the art park of the South.” By 1920, more than 160 portrait statues, busts, and reliefs of Vicksburg’s defenders under Gen. John C. Pemberton and the besieging Union army commanded by Gen. Ulysses S. Grant lined the tour route along the earthworks around the Gibraltar of the Confederacy. Most of the memorial art and architecture was built in the classical revival Beaux-Arts style popular following the World’s Columbian Exposition of 1893. The federal government, states, and individual patrons commissioned dozens of sculptors and architects to create these enduring structures, marking the historic battlefield and commemorating the men and events involved in the campaign and siege of Vicksburg.

“The poetry, page after page, is of the kind that keeps the reader on the critical edge, both ecstatic and lucid, both active and illumined. . . . What began in the first part of the book with the evocations of a struggle to unclench a rock-locked fist’ is projected, in the end, on the geography of the continent itself, desolate yet lyrical. Nothing more exotic here than the beauty of utterance set free.”—Stavros Deligiorgis

This collection represents an engagement with American history, technology, and cultures. Murphy’s poetry ranges from fairly straightforward narrations of events to experimental pieces using a variety of American-speaking subjects and several angles of vision on cultural creations—Elvis Presley, Holly Golightly, and Elmore James, to name just a few. Formal choices include the interlocking movements of the sestina and the rondau, the ebb and flow of loose blank verse, and the syncopated variety of free verse.

At the time of his death in February 2003 Judah Rubinstein was working on this second edition of Merging Traditions: Jewish Life in Cleveland, which he initially co-wrote with the late Sidney Z. Vincent in 1978. This revised and updated pictorial review of the nearly two-century history of the Jewish community tells the story of Jewish settlement and achievement in Northeast Ohio and continues in the spirit of the original, illuminating the struggles and the successes of one particular immigrant group and providing a valuable perspective on Cleveland’s Jewish community, past and present.

Using key canonical science fiction narratives, Mesmerists, Monsters, and Machines examines the intersection of the literary and scientific cultures of the nineteenth century. In this original and refreshing approach to the study of early science fiction, author Martin Willis maintains that science fiction was just as important in defining the culture of the nineteenth century as other critics maintain it was in shaping the twentieth century.