While visiting with Mr. Tumnus in The Lion, the Witch and the Wardrobe, Lucy Pevensie notices a bookshelf filled with such titles as Nymphs and Their Ways and Is Man a Myth? Beginning with these imaginary texts, Charlie W. Starr offers a comprehensive study of C. S. Lewis’s theory of myth, including his views on Greek and Norse mythology, the origins of myth, and the implications of myth on thought, art, gender, theology, and literary and linguistic theory. For Lewis, myth represents an ancient mode of thought focused in the imagination—a mode that became the key that ultimately brought Lewis to his belief in Jesus Christ as the myth become fact.

“Feel the Bonds That Draw” presents nearly 200 images from the extensive Civil War photographic collections of Cleveland’s Western Reserve Historical Society, complementing author Christine Dee’s reflections on topics such as historical memory, the war as economic engine, and the impact of mobilization and combat on civilians and the environment. “Feel the Bonds That Draw” is a fine addition to the library of anyone interested in the history of America’s cruelest conflict.

Fernando Wood was one of the most controversial figures of nineteenth-century America. His fellow New Yorkers either respected or despised him, depending whether they considered his policies beneficial or harmful to their interests. The character revealed herein possessed some admirable qualities; high intelligence, sharp analytic skills, great capacity for hard work, and a clear talent to set his ex3ecutive agenda. But equally evident are Wood’s less admirable qualities; ruthless business practices, shoddy personal ethics, corrupt politics, dictatorial tendencies. What emerges is the story of a very complex person: a successful businessman, consummate politician, resourceful three-time may of New York City, and nine-term congressman, beneath which lurked mean and self-destructive tendencies.

In A Few Small Candles, ten men tell why they resisted, what happened to them, and how they feel about that experience today. Their stories detail the resisters’ struggles against racial segregation in prison, as well as how they instigated work and hunger strikes to demonstrate against other prison injustices. Each of the ten has remained active in various causes relating to peace and social justice.

Fiction as Fact: “The Horse Soldiers” and Popular Memory is a thorough examination of this famous military action through three genres—Dee Brown’s 1954 historical account, Grierson’s Raid; Harold Sinclair’s 1956 novel The Horse Soldiers; and John Ford’s 1959 film The Horse Soldiers. Neil Longley York demonstrates how historical “truths” are often omitted, fragmented, and altered before being assimilated into popular culture and how the events of our past are often molded to fit the constraints of the present.

In Field o’ My Dreams, Mary DeJong Obuchowski presents the collected poems of Gene Stratton-Porter, an Indiana writer and naturalist who is best known for her young adult fiction and other early-twentieth-century novels and nonfiction writings about her midwestern and California environments. She is far less well-known for her poetry, however, despite having published two books of poetry as well as hundreds of her more whimsical, rhyming poems in such popular magazines as McCall’s and Good Housekeeping.

As battles over voting rights continue to be a major issue throughout the United States, Jamie Capuzza looks back at the story of Ohio—the fifth state to ratify the Nineteenth Amendment— and its key role in the national women’s suffrage movement. From 1850 through 1920, Ohio’s contributions were significant: Ohioans were the first to petition a government for women’s enfranchisement, they formed the nation’s first state-level women’s rights organization, and Ohio hosted two of the earliest national women’s rights conventions.

Born in July 1821, Danield Harvey Hill grew up in “genteel poverty” on a large plantation in York District, South Carolina. He entered West Point and graduated in the middle of the renowned Class of 1842. Following garrison duty as a junior lieutenant with the First and Third Artilleries, Hill joined the Fourth Artillery at Fortress Monroe in January 1846. Six months later he was en route to Mexico. Published here for the first time, Hill’s diary vividly recounts the Mexican War experiences of this proud young officer.

Fighting the Unbeatable Foe is the first biography of Metzenbaum, a fascinating individual who, against the odds, rose from humble beginnings to become a multimillionaire businessman and one of the most effective and powerful senators in the land. By conducting interviews with Metzenbaum’s friends, foes, political scientists, and journalists and consulting primary-source materials, Tom Diemer provides new details about Metzenbaum’s business deals, his successes on Capitol Hill, and also his embarrassing failures and miscalculations. Metzenbaum remains among the most interesting and paradoxical figures in the history of Ohio politics. His story will be enjoyed by anyone interested in Ohio history and politics.

Richard Myers has been producing experimental and documentary films for over 40 years. The Films of Richard Myers chronicles these films, along with descriptions and reviews by such film critics as Roger Ebert, Arthur Knight, Roger Greenspun, Kevin Thomas, and Amos Vogel, as well as short reviews by Stan Brakhage and Pauline Kael. The major part of the book consists of 180 photos from the films, all photographed by Myers. With a background in painting, printmaking, and still photography, Myers began making films in the early 1960s when independent experimental films were truly independent. Myers conceived of the ideas, wrote the scripts, photographed, directed, and edited the films. His actors were family and friends, from his wife Pat to his grandmother, mother, and son, to Kent State University faculty and students.