Fraternal Light: On Painting While Black is a lyric evocation of the life and work of the great African American artist Beauford Delaney. These poems pay homage to Delaney’s resilience and ingenuity in the face of profound adversity. Although his work never garnered the acclaim it deserves—but is finally receiving—Delaney was well known and highly respected in African American cultural circles, among bohemian writers and artists based in Greenwich Village from the 1930s to the early 1950s, and in Parisian avant-garde and expatriate enclaves from the mid-1950s to the mid-1970s.

Built by Daniel R. Hanna as a tribute to his theater-loving father, Marcus Hanna, the Hanna Theatre opened its doors on March 28, 1921, with an adaptation of Mark Twain’s The Prince and the Pauper starring William Faversham. Billed as a “Broadway-style theater,” the Hanna was located not on Euclid Avenue but around the corner on the side street of East 14th. Its interior decor was opulent, finished in what was described as a combination of Italian Renaissance and Pompeian style, and the stage was described as “large enough . . . to present the best plays offered; but intimate enough to present the quietest comedy or drama to the best advantage.”

In 1880, James Garfield decided to try something new: rather than run the typical passive campaign for president, he would welcome voters to his farm. By the end of the campaign, thousands of people—including naturalized voters, African Americans, women, men from various occupations, and young voters—traveled to Garfield’s home, listened to him speak, shook hands, met his family, and were invited inside. The press reported the interactions across the country. Not only did Garfield win, but he started a new campaign technique that then carried three other Republicans to the presidency.

The best essays by one of the leading experts on the Spanish Civil War

The Spanish Civil War, a military rebellion supported by Hitler and Mussolini, attracted the greatest writers of the age. Among them were Ernest Hemingway, George Orwell, André Malraux, Arthur Koestler, Langston Hughes, and Martha Gellhorn. They returned to their homelands to warn the world about a war of fascist aggression looming on the horizon.

A sequel of sorts to his earlier book, Pleasant Valley, this book significantly adds to Louis Bromfield’s body of work on agriculture, economics, and the value of home.

“Because Bromfield has seen so many different lands, he is now more a country man than ever. When he turned his first spadeful on his new Ohio farm acres, it marked the return of the native. Bromfield writes his books in pencil, longhand. He has such concentration that he can come in from working in his fields, go to his desk and finish a sentence he started the day before.”

—The New Yorker

The Lincoln images, originally appearing in such publications as Budget of Fun, Comic Monthly, New York Illustrated News, Phunny Phellow, Southern Punch, and Yankee Notions, significantly expand our understanding of the evolution of public opinion toward Lincoln, the complex dynamics of Civil War, popular art and culture, the media, political caricature, and presidential politics. Lincoln, appealed to illustrators because of his distinctive physical features. (One could scarcely conceive of a similar book on James Buchanan, his immediate predecessor.) Despite ever-improving techniques, Lincoln pictorial prominence competed favorably with any succeeding president in the nineteenth century.

Morrison writes with clarity, wit, and insight, sharing his critiques of the army, West Point, and teaching, along with his assessment of the present status of American life and his attitudes toward the quality and effectiveness of army officer education and training. He analyzes some of the pitfalls and the strengths of preparing U.S. military organizations for service now and in the future, and he furnishes the reader with insights into how history is taught at a typical American college. From Rat Pants to Eagles and Tweeds is a significant contribution to the study of American military history and will be of interest to military officers, military educators and historians, and alumni of the Virginia Military Institute and West Point.

In this expansive anthology, Susan Stagno and Michael Blackie assemble an insightful group of contributors to discuss the ways in which medical professionals can powerfully engage with their students through a variety of literary texts. Examples as diverse as Charles Bukowski, Leo Tolstoy, William Carlos Williams, Sherwood Anderson, Mary Shelley, Stephen King, the comic strip Pearls Before Swine, and the sayings of Buddha will provide both teachers and students a rich cache of stories for discussion and inspiration.

In early 1864, many heavy artillery regiments in the Civil War were garrisoning the Washington defenses, including the Fifteenth New York. At the same time, newly minted Union general in chief Ulysses S. Grant sought to replenish the ranks of the Army of the Potomac, and the Fifteenth became one of the first outfits dispatched to Major General George Meade at Brandy Station.

Drawing on a wealth of previously unmined primary sources, Edward A. Altemos pays tribute to the Fifteenth, other heavy artillery regiments, and the thousands of immigrants who contributed to the Union army’s victory.

Prior to World War II, women were a rarity in the newsrooms of daily papers throughout the country. The assignments given to those few who graced the profession reflected the newspaper culture of the time—society, fashion, and school news. Doris O’Donnell proved the exception. While she began her journalism career with those routine tasks, in short order she broke those barriers and assumed more challenging duties of investigative reporting and covering the crime beat.