During the first half of the eighteenth century, Pennsylvania became home to a variety of German-speaking sectarians who rebelled against the oppression of European state-church establishments and migrated to the United States to form their own communions. One such group was the Snow Hill Cloister, which was founded in 1762 as an attempt to continue the monastic, communal lifestyle practiced at Georg Conrad Beissel’s famed Ephrata Cloister. In an engaging narrative that chronicles with humor and insight her research into this fascinating community of German Seventh-Day Baptists, Denise A. Seachrist tells the story of Snow Hill—its spiritual and work life; its music, writings, architecture, and crafts tradition; and its sad demise in the waning days of the twentieth century. A product of in situ fieldwork that explores the places and personalities behind the founding and prosperity and demise of the cloister, Snow Hill is a long-overdue study of one of America’s “experiments” in communal living. It speaks to another time and place and stands as a testament to the idealism of community and the tenaciousness of the human spirit.

Editor Kathleen O’Shea has managed to gather a wide selection of helpful excerpts, chapters, poetry, and even a short play in this anthology—all with a view toward increasing our understanding and ending the stigma attached to migraines and migraine sufferers. Unlike clinical materials, this anthology addresses the feelings and symptoms that the writers have experienced, sometimes daily. These pieces speak freely about the loneliness and helplessness one feels when a migraine comes on. The sufferer faces nausea, pain, sensitivity to light, and having the veracity of all these symptoms doubted by others. O’Shea, a professor of literature and a migraine sufferer herself, also includes an original essay of her own reflections.

“These precise, plain-spoken poems are limned by a subtle music, not to mention a lyric grace that is never overplayed. For in a world as harsh as this one, a world delimited by war, beauty is as appalling as it is necessary. Hugh Martin’s great achievement is to remind us of this necessity, and to assert the power of poetry as witness and as solace.” —James Harms

“Mindi Kirchner possesses an unblinking honesty and wit that is at once enchanting and heartbreaking. Her agile, beautifully crafted poems address the disappointments and sorrows of our uncrafted, ordinary lives and the painful distance between reality and imagination. She celebrates the joy in spite of, not because of, what is. Like a Buddhist she wishes for no other life, no reincarnation. And yet, as her reader, I can’t wait to see more, more lives, or at least many more books, from this talented new voice.”—Nin Andrews

A companion volume to Taken at the Flood, this book identifies areas of research and in-depth source materials for studies of the Maryland campaign.

Sounding the Whale is Christopher Sten’s comprehensive account of his own close encounter with Moby-Dick. Originally a long, self-contained chapter in The Weaver-God, He Weaves: Melville and the Poetics of the Novel, just published by Kent State University Press, this chapter-by-chapter study of Moby-Dick evolved as a book within a book. Sten argues that Melville not only was familiar with the traditional forms of narrative but that he refined them and appropriated them to his own original purposes. For Moby-Dick, he fused the heroic qualities of the ancient Homeric epic with the spiritual qualities of the early modern form found in Dante and Milton, then cast the whole enterprise in an unprecedented poetic prose form. Thus he formulated the first prose epic of its kind, and the only religious epic on the subject of whaling anyone is likely to write.

Annie Dillard, a foremost practitioner of the literary epiphany, has become a representative of a necromantic movement that combines the ecological interest of wilderness literature with the aesthetics of a highly stylized literature. This first full-length study of the Pulitzer prize-winning essayist considers her as wilderness philosopher, religious mystic, professional critic, and arch-romantic.

“There is a sadness to McBride’s poetry that only a deep thinker can recreate, someone who has been inside the beautiful dark hollows of disappointment. It is encouraging to read the powerfully rendered thoughts of a vulnerable mind in a cynical time—here is a poet unafraid to be hurt; here is a poet bleeding in his own glass crop. Encouraging? Yes, because McBride understands that defensive poetry has no value.” — Larissa Szporluk

The Special Activities Group (SAG) and its subordinate companies have received little attention from historians, despite being an elite combat unit and participating in highly classified and dangerous missions in Korea. Rarely receiving more attention than a footnote, their story usually begins and ends on the night of September 12, 1950, with an amphibious raid near Kunsan. Until their inactivation on March 31, 1951, SAG simply disappears from most Korean War histories. Spare Not the Brave corrects this omission.

Speak a Powerful Magic features poems by schoolchildren, immigrants and refugees, patients and caregivers, and veterans, alongside the work of well-known contemporary American poets, and it demonstrates that poetry is truly of the people. We turn to poetry to give voice to what is troubling us, to honor what we love, to make sense of our lives, to remember our past, and to commemorate what we’ve lost. Here, it becomes clear that poetry, especially when coupled with the visual arts, has the potential to broaden our understanding and bring people together in ways that more traditional communications simply cannot.