Recently and increasingly, literary and philosophical scholars are subscribing to the view that philosophy and literature are allies. However, nearly all of these scholars have concentrated on analyses of Greek philosophers and dramatists as well as English novels and novelists with reference to the nature of a good society and a moral life. The essays presented in A Community of Inquiry explore often-neglected works: classical American philosophy, especially pragmatism, and American literature, particularly the realists and naturalists, and mostly ignored fundamental issues of epistemology and metaphysics.

The U.S. Company of Sappers, Miners, and Pontooniers, which Congress authorized on May 13, 1846, quickly became one of the army’s elite units. During the Mexico City campaign, Company ‘A’ played a significant role in scouting, building fortifications, and setting artillery batteries. Gustavus Woodson Smith, the unit commander and author of the text, describes the training and discipline of the enlisted soldiers. His commentary also provides interesting insights into the early careers of future Civil War generals – Lee, Beauregard, Pemberton, and McClellan. The narrative is also a striking testament to the impact of West Point-trained officers on the course of the war and to the effectiveness of Winfield Scott’s army.

This important study challenges the standard interpretation that Lewis, Tolkien, Charles Williams, Owen Barfield, and the other Inklings had little influence on one another’s work, drawing on the latest research in composition studies and the sociology of the creative process. Diana Glyer invites readers into the heart of the group, examining diary entries and personal letters and carefully comparing the rough drafts of their manuscripts with their final, published work.

Funky Winkerbean, a newspaper staple since 1972, is one of the few comic strips that allows its characters to grow and age. As time passes and characters evolve, new and loyal readers alike are reminded that not only does Funky have a future, but the strip has a rich past. What remains a constant is Batiuk’s signature narrative-driven humor. This tenth volume, spanning from 1999 through 2001, embraces the strip’s past while casting an eye to a bright future.

Funky Winkerbean, a newspaper staple since 1972, is one of the few comic strips that allows its characters to grow and age. As time passes and characters evolve, new and loyal readers alike are reminded that not only does Funky have a future, but the strip has a rich past. What remains a constant is Batiuk’s signature narrative-driven humor. This twelfth volume, spanning from 2005 through 2007, embraces the strip’s past while casting an eye to a bright future.

This latest installment of The Complete Funky Winkerbean presents the comic strips from 2008, 2009, and 2010 and ushers the original Funky characters into middle age. In true Funky fashion, the characters have to grapple with very serious issues: nearly fatal car crashes, a war abroad, and a tanking economy at home. These years also mark the first appearance of Cayla, and her arrival on the scene is where cartoonist Tom Batiuk’s new time-jump era begins to coalesce and take on its unique identity.

In this third volume, award-winning cartoonist Tom Batiuk continues to chronicle the lives of a group of students from the fictitious Westview High School. Funky Winkerbean fans are introduced to a host of new characters, including black cheerleader Junebug Jones; Melinda Budd, Holly Budd’s ambitious stage mother; Jerome the drum major; Nancy the school librarian; Ron the tennis pro; Irma, Rita Righton’s tennis partner; Channel One reporters Brenda Harpy and Minnie Cameron; talk show host John Darling; news anchor Charlie Lord; Phil the Forecaster; and program director Reed Roberts. Batiuk also features a troupe of inanimate forms achieving sentience, such as talking trees, clouds, school desks,video games, and a talking tennis ball machine that goes on to play at Wimbledon.

By this point in its evolution, Funky Winkerbean is resonating with its readers and its popularity is growing. Crankshaft, the irascible bus driver, and Betty, Westview High School’s secretary, are introduced. Crankshaft quickly became a fan favorite, with many readers responding to the trauma-inducing, surly old curmudgeon. Not since the introduction of band director Harry L. Dinkle had a new character received such a positive response. Betty soldiers on at Westview until Batiuk finally sends her off to the cartoon character’s retirement home.

In this sixth volume, we see the changes in tone that now characterize Funky Winkerbean. The story arcs increasingly intertwine to mark the shift from the simple sitcom mode to a more complex narrative with subplots. At this point in its evolution, Funky Winkerbean is resonating with readers and its popularity is growing. Ed Crankshaft, the irascible and curmudgeonly school bus driver, has become a fan favorite—so much so that cartoonist Tom Batiuk spins off Crankshaft into his own comic strip. Westview High School band director Harry L. Dinkle, the World’s Greatest Band Director, takes the band to New York City for a gig at Carnegie Hall, and drum majorette Holly Budd performs her acclaimed flaming baton trick with catastrophic results for the hallowed hall.

In this seventh volume, we see the changes in tone that now characterize Funky Winkerbean. Funky becomes more of a reality-based comic strip that depicts contemporary issues in a thought-provoking and sensitive manner. In 1992 Tom Batiuk did something even more radical: he rebooted and restructured the strip, establishing that the characters had graduated from high school. From then on the series progresses in real time.