Revelations captures the spirit of the African American worship experience through arresting images of congregants’ facial expressions and body language, their colorful uniforms and dress, and the solemnity of their worship. The images of baptisms, weddings, funerals, Sunday services, and special celebrations are at once serene and exaltant, pensive and inspirational. Revelations honors not only the spiritual dimension of the African American church but the pride and dignity that prevails within the churchgoing family.

“Under and out from under the shadow of death Joanne Lehman writes ‘in the emptiness between one breath and the next.’ Her rural Ohio land-scape is animated with rough and mild weather, red wing blackbirds, hayfields, woodlands, and the sweet and sometimes too-tight lips and rhythms of sectarian life. These poems speak simply, and their mourning, memory, and healing are a balm for times when a little bit of quiet would do us all a world of good. This is a fine first book—as meditative, wise, and joyful as it is bound to local life on our turning earth.”—Julia Kasdorf

Village landmark churches are a unique legacy of the settlement of Ohio’s Western Reserve. The forty 19th century churches in Village Landmark Churches—still found today, although some now serve as solitary sentinels in disappearing villages and communities—were selected because they have significance in one or more of the following dimensions: architecture, history, or their dominant position in their setting.

“Found in these pages is simple profundity, desire unmitigated, the things we wish for each other, the science of absolutes so easy to understand, and so devastating: these poems put complex moments in such a straightforward context that we grasp not simply the words but the full feeling as something we have felt in some kind of similar vocabulary.” —Alberto Ríos, Judge

Focusing on the overlapping nature of culture and politics, historian Mark A. Lause delves into the world of antebellum bohemians and the newspapermen who surrounded them, including Ada Clare, Henry Clapp, and Charles Pfaff, and explores the origins and influence of bohemianism in 1850s New York. Against the backdrop of the looming Civil War, The Antebellum Crisis and America’s First Bohemians combines solid research with engaging storytelling to offer readers new insights into the forces that shaped events in the prewar years.

“Tornado is a book of ravishing and precise beauty. Death, said Wallace Stevens, is the mother of beauty, and so it is here; around the loss of a beloved sister in childhood, Ted Lardner has spun a radiant web of language by which he reveals what does not and cannot die, in the scale of nature above and underground, in the movements of time, and in the ongoing reach of human tenderness that ‘glides through our skins like a wave, lighting it up from inside.’” —Alicia Ostriker

“The movement at the center of so many of these poems is that of air, fire, water, nigh—of what cannot be seen, even as the speaker moves ever inward to face her own dreams, her demons and her desires. The strong central poem, ‘After the Rape,’ defines the moment from which the poet must measure the world. That she finds in the memory of a dolphin rising into air is the magic of Nancy Kuhl’s collection.” –Judith Kitchen

In Repairing Texts, Hans P. Krings challenges the idea that, given the effectiveness of machine translation, major costs could be reduced by using monolingual staff to post-edit translations. With the goal of discovering underlying trends and discovering potential hypotheses for further research, he sets different groups of translators to work post-editing texts both with and without the benefit of the source text. He offers ups studies of machine translation systems and their uses, the current state of translation process research, and methodology, data collection, and data analysis.

“Imagine a postmodern Pindar with a liberal arts education and good command of Polish; think of an Orpheus who starts out as a horny kid from the American suburbs, hits the road like Kerouac, learns a few things along the way, but still looks back—wacked! Kress has come up with some playful and surprisingly haunting sonnets that glance at the old stories but sing their own new, not too sweet songs.” –Julia Kasdorf

In Beyond the Velvet Curtain, Karen Kovacik illustrates Czeslaw Miloxz’s dictum that “the purpose of poetry is to remind us how difficult it is to remain just one person.” Peopled with such diverse characters as Richard Nixon, Nikita Khruschev, Kafka’s father, Dorothea Lange, William Carlos Williams, Lawrence Welk, Robespierre, and a feisty Catholic saint, this original collection of poems takes us on an amusement-park ride through world history and art. Kovacik’s poetry places us in the strange drama of cataclysmic events and ordinary life.