In “The Most Complete Political Machine Ever Known,” Paul Taylor examines the Union League movement. Often portrayed as a mere footnote to the Civil War, the Union League’s influence on the Northern home front was far more important and consequential than previously considered. The Union League and its various offshoots spread rapidly across the North, and in this first comprehensive examination of the leagues, Taylor discusses what made them so effective, including their recruitment strategies, their use of ostracism as a way of stifling dissent, and their distribution of political propaganda in quantities unlike anything previously imagined. By the end of 1863, readers learn, it seemed as if every hamlet from Maine to California had formed its own league chapter, collectively overwhelming their Democratic foe in the 1864 presidential election.

They have no witnesses. They have no case. With this blunt observation, Mariann Colby—an attractive, church-going Shaker Heights, Ohio, mother and housewife—bet a defense psychiatrist that she would not be convicted of murder. A lack of witnesses was not the only problem that would confront the State of Ohio in 1966, which would seek to prosecute her for shooting to death Cremer Young Jr., her son’s nine-year-old playmate: Colby had deftly cleaned up after herself by hiding the child’s body miles from her home and concealing the weapon.

Having children fundamentally disrupts and remakes us, in terms of body, identity, perspective, and voice. The world shrinks and exponentially expands. Our already-fraught human experience of time is shredded and magnified.

Cadence captures the poet’s point of view as a new mother, reveling in a position of heightened vulnerability and ferocity. The poems in this chapbook are breathless, hyper­attentive to others’ needs, and equally in love with earthliness and repulsed by the monstrousness we enact/bear witness to.

Ernest Hemingway is a writer we often associate with particular places and animals; Michigan’s Upper Peninsula, Spain’s countryside, East Africa’s game reserves, Cuba’s blue water, and Idaho’s sagebrush all come to mind. We can easily visualize the iconic images of Hemingway with fly rod bent by hefty trout, with bulls charging matadors, or of the famous author proudly posing with trophy lions, marlin, and a menagerie of Western American game animals.

Among collections of letters written between American soldiers and their spouses, the Civil War correspondence of William and Jane Standard stands out for conveying the complexity of the motives and experiences of Union soldiers and their families. The Standards of Lewiston in Fulton County, Illinois, were antiwar Copperheads. Their attitudes toward Abraham Lincoln, “Black Republicans,” and especially African Americans are, frankly, troubling to modern readers. Scholars who argue that the bulk of Union soldiers left their families and went to war to champion republican government or to wipe out slavery will have to account for this couple’s rejection of the war’s ideals.

On March 9, 1862, the USS Monitor and CSS Virginia met in the Battle of Hampton Roads—the first time ironclad vessels would engage each other in combat. For four hours the two ships pummeled one another as thousands of Union and Confederate soldiers and civilians watched from the shorelines. Although the battle ended in a draw, this engagement would change the nature of naval warfare by informing both vessel design and battle tactics. The “wooden walls” of navies around the world suddenly appeared far more vulnerable, and many political and military leaders initiated or accelerated their own ironclad-building programs.

The concept of the “New South” has elicited fierce debate among historians since the mid-twentieth century. At the heart of the argument is the question of whether the post–Civil War South transformed itself into something genuinely new or simply held firm to patterns of life established before 1861. The South did change in significant ways after the Civil War ended, but many of its enduring trademarks, the most prominent being white supremacy, remained constant well into the twentieth century. Scholars have yet to meet the vexing challenge of proving or disproving the existence of a New South. Even in the twenty-first century, amid the South’s sprawling cities, expanding suburbia, and high-tech environment, vestiges of the Old South remain.

Decades before the Civil War, the free American public was gripped by increasingly acrimonious debates about the nation’s “peculiar institution” of slavery. Ministers considered the morality of slavery from their pulpits, legislators debated it in the halls of government, professors discussed it in their classrooms, and citizens argued about it in their communities. Antislavery women wrote novels and stories designed to convince free Americans about slavery’s evils, to discuss the future of abolitionism, and to debate the proper roles of free and enslaved women in the antislavery struggle. Many antebellum writers and editors believed fiction was an especially genderappropriate medium for women to express their ideas publicly and a decidedly effective medium for reaching female readers. Believing that women were naturally more empathetic and imaginative than men, writers and editors hoped that powerfully told stories about enslaved people’s sufferings would be invaluable in converting free female readers to abolitionism.

At 3 a.m. on February 21, 1865, a band of 65 Confederate horsemen slowly made its way down Greene Street in Cumberland, Maryland. Thinking the riders were disguised Union scouts, the few Union soldiers out that bitterly cold morning paid little attention to them. In the meantime, over 3,500 Yankee soldiers peacefully slept.

Author Evan Maina Mwangi explores the intersection of translation, sexuality, and cosmopolitan ethics in African literature. Usually seen as the preserve of literature published by Euro-American metro­politan outlets for Western consumption, cultural translation is also a recurrent theme in postcolonial African texts produced primarily for local circulation and sometimes in African languages. Mwangi illustrates how such texts allude to various forms of translation to depict the ethical relations to foreigners and the powerless, including sexual minorities. He also explains the popularity of fluent models of translation in African literature, regardless of the energetic critique of such models by Western-based postcolonial theorists.