“Jason Gray’s How to Paint the Savior Dead rethinks the complex traditional connections among women’s bodies, spirituality, and art. Gray is not afraid of hard work, hard thought, and big vision just because the subject of his fascination has been both exalted and besmirched by tradition, both enriched and impoverished by the hands of our predecessors. Gray throws himself into the mix of muses, amore, and immortality with more—much more—than common wit, passion, and intelligence. As he separates out mortal beauty from immortal, he ignores, as one of his poems says, ‘what is heavenly for what is Heaven.’” — Andrew Hudgins

Grace Goulder Izant spent the last six decades of her long and productive life in Hudson, Ohio, and this, her final book, was the one that lay closest to her heart. Bringing to it her knowledge as a historian of Ohio, she lifts the story beyond the limitations of local history and makes it illuminate an entire region and time. Illustrated with numerous historical photographs and drawings from her private collection, this edition preserves the enduring quality and historical heritage of this quaint village.

Doctors today are struggling: debt, divorce, substance abuse, burnout, suicide. They succeed or fail on professional treadmills; patient encounters measured out with coffee spoons. The doctor-patient relationship is crumbling. Bureaucratic and corporate masters make their never-ending arguments of insidious intent. The overwhelming questions: Now where to turn? How do physicians—and their patients—avoid being crushed by the demands of science, of perfection, of expectations? How do we recover the awe we once felt in this world in which we expend our life force every day? How can we find joy once more?

In this provocative and vigorously argued interdisciplinary study of the development of institutional censorship, Clare Spark explores the complexities of 20th-century American cultural politics through the protagonists of the Melville Revival. She investigates closely the history of the Revival and its key critics, who manipulated Melville’s life and writings in the service of their own particular social and political agendas. Although often boldly conjectural and speculative, Spark’s assertions are based on her meticulous and thorough exploration of either newly opened or previously unexplored archival materials of leading Melville scholars.

Hunting the Unicorn is the first treatment to discuss the entire body of Pitter’s verse. It will appeal to scholars and general readers as it places Pitter into the overall context of twentieth-century British poetry and portrays a rather modest, hardworking woman who also “witnessed” the world through the lens of a gifted poet.

After creeping out of bed on a frigid January night in 1832, teenage farmhand Abraham Prescott took up an ax and thrashed his sleeping employers to the brink of death. He later explained that he’d attacked Sally and Chauncey Cochran in his sleep. The Cochrans eventually recovered but—to the astonishment of their neighbors—kept Prescott on, somehow accepting his strange story.

When schoolchildren from Kent, Ohio, and Florence, Italy, were invited to express their thoughts about “Where I’m From” in poetry, the connections that emerged between these students from different continents were remarkable. Their responses to this prompt—“lo vengo da” in Italian—demonstrate the underlying importance of home, families, the natural world, and the creative identities that children harbor within them.

“When the wire man in love with the boiled wool woman imagines himself making love with her under the emerald tree and then making her a mouth, is he desiring to make for her a mouth, or to make of her a mouth? Such questions charge Karen Schubert’s off-kilter worlds with a force less like gravity than like Brownian movement: the poems in I Left My Wings on a Chair don’t orbit, they careen.”—H. L. Hix

“Karen Schubert’s latest collection, I Left My Wings on a Chair, reminds me why I love prose poetry. These are beautiful prose poems; each one is a gem; each one is sublime, witty, and surprising. It’s as if she has taken the world that we see and experience every day and given it back again, refreshed, alive, and shimmering. Reading her poems reminds me of reading William Stafford and Naomi Shihab Nye, poets who let you see the mystical and the absurd in the everyday, who make you feel a little better about being alive.” —Nin Andrews

In this lively memoir, William B. Saxbe narrates his life’s journey from his youth in a small Ohio town to his military career during World War II and Korea and through his career as a public servant in Ohio, in Washington, D.C., and overseas. He regales readers with stories about hopping a freight train when he was in the sixth grade, insights on being elected to the United States Senate, commentary on serving as Nixon’s attorney general at the height of the Watergate scandal, and descriptions of life as the U.S. ambassador to India.

This is the first full-length biography of Ida Saxton McKinley (1847– 1907), the wife of William McKinley, president of the United States from 1897 to his assassination in 1901. Long demeaned by history because she suffered from epilepsy—which the society of her era mistakenly believed to border on mental illness—Ida McKinley was an exceptional woman who exerted a strong influence on her husband’s political decisions.