This exploration of the artistry of Romeo Celleghin reveals the pressing need to undertake research and documentation of religious and sacred artwork before records and art pieces are lost or forgotten forever. Whitelaw’s discoveries help illuminate the path for others and have not only recovered the beauty of Celleghin’s art, but remind us to be vigilant in honoring and preserving the significant works of art that enhance our houses of worship.

Published in 1589, The Arte of English Poesie can be considered the first full-scale work of poetic criticism in England—“a noble monument,” in Professor Hathaway’s words, “astraddle the rude beginnings of the speculative aspects of English literary culture.” Its three main parts are a treatise on poets and poetry, an analysis of English prosody, and a discussion of rhetorical ornamentation—all treated compactly and thoroughly. While little of its thought was strikingly new for its time, since it drew on traditions going back through the Middle Ages to classical roots, its value lay in its synthesis of these ideas and its summation of an aesthetic movement. As such it provides important insights into the aesthetic philosophy of the English Renaissance.

The Hasslers, in their analyses of the letters, explore Machen’s versatility as a writer and offer an interpretation of his group and its opposition to literary modernism. This extensive publication of his letters will fascinate fans of horror fiction, for whom Machen is an early classic, and scholars of fantasy, science fiction, and literature in general. Book collectors and historians of bookselling and collecting also will find much of interest here.

Arthur Mervyn has long puzzled students and scholars with its seeming diffuseness, resulting from its original serial publication. Critics agree, however, that the power of this novel lies not so much in its portrait of “right virtue,” which was Brown’s primary aim, as in its realistic descriptions of the yellow fever epidemic and the ensuing panic that swept Philadelphia in the summer of 1793. The ambiguities of Arthur Mervyn’s character and the precarious nature of the revolutionary 1790s make this novel a particularly apt subject for lively discussion and future scholarship and make this revised edition an excellent classroom text.

Long before the fashion industry formally addressed questions of sustainability and advocated for “slow fashion,” William and Elizabeth Phelps, a husband-and-wife design duo, were already working to create handcrafted leathergoods and functional women’s sportswear that could be worn for decades. Active from the 1940s to the late 1960s, Phelps Associates quickly won acclaim and found commercial success, attracting a broad clientele and becoming known for quality, utility, and craftsmanship.

This comprehensive new three-volume guide to the early art and artists of Ohio is a compendium of hard-to-find information. The result of more than twelve years of research in community archives, newspapers, business directories, census returns, genealogical records, and manuscripts, Artists in Ohio, 1787-1900 is the most ambitious and complete attempt ever made to document the state’s artistic origins and growth. The authors have uncovered and remedied innumerable gaps and erros in standard reference works. They have also brought to light new information about thousands of forgotten men and women, once well-known in their communities, who achieved success in either the fine arts or the decorative and “practical” arts of photography, ornamental penmanship, tombstone carving, china painting, illustrating, cartooning, and the execution of panoramas and theatrical scenery.

One of the most important funerary monuments in Europe is the tomb of Napoleon, built in the Church of the Invalides in Paris between 1840 and 1861. As Befits a Legend is the first comprehensive examination of its construction process, historical context, and political and social meanings. It also is the only work published in English about this unique structure. Michael Paul Driskel’s study, based on extensive archival research in France, documents the problems inherent in building the appropriate monument for such a controversial figure and the public debate it generated. Following a detailed and illuminating account of the range of proposals put forward, Driskel concludes that the form of the structure represents a symbolic mediation of conflicting demands.

As Ohio Goes is a journey through cities, suburbs, and remote rural towns in this quintessential American state. Sitting together at dining room tables, walking through rows of planted fields, and swinging back beers at pubs, you’ll meet individuals you won’t soon forget. People like Bill, whose handicap did not push him to take disability payments until his layoff, and Rhonda, a working mother embarrassed to feed her son using food stamps. There are the young soldier who shows us his scars from deployment to Iraq but who remains in the Army to make ends meet and the Amish man whose business loss during the downturn induced him to leave his family and the church.

Eric J. Wittenberg presents many of this newspaperman’s captivating writings in their original form. Kidd wrote eloquently about his Civil War experiences, especially his service with Custer. His speech given at the dedication of the Custer monument in Monroe, Michigan is particularly important, as it provides readers with one of the first revisionist views of the tragedy that befell Custer at Little Big Horn. Much like Wittenberg’s first book of Kidd’s writings, this latest collection offers insightful, articulate, and entertaining commentary on what it was like to serve in the Civil War and with “the boy general.”

After clearing Virginia’s Shenandoah Valley of Federal troops, Gen. Robert E. Lee’s bold invasion into the North reached the Maryland shore of the Potomac River on June 15, 1863. A week later, the Confederate infantry crossed into lower Pennsylvania, where they had their first sustained interactions with the civilian population in a solidly pro-Union state. Most of the initial encounters with the people in the lush Cumberland Valley and the neighboring parts of the state involved the men from the Army of Northern Virginia’s famed Second Corps, commanded by Lt. Gen. Richard S. Ewell, who led the way as Lee’s veteran soldiers advanced north toward their eventual showdown with the Union army at the crossroads town of Gettysburg.