“Tight and purposeful as a fable, The List of Dangers gives us sorrows and warnings from a world imbalanced by beasts and little beauties. The images are precise as a child’s playroom—keyholes, miniature candelabra, the ‘trebly notes’ of wrens and gypsies— but perilous in their tender transformations. Maggie Smith’s rich lyric gifts produce here a poetry of balancing composure in the face of peril and pretty chance.” —David Baker, author of Midwest Eclogue

Some of the world’s greatest literature is devoted to expressing the joys and sorrows humans experience as they grow old. New opportunities and challenges appear: retirement, a special closeness with the family, failing health, the recognition of personal mortality, prejudice against the elderly, and grief over the losses of loved ones and places. This collection of more than 60 short stories, poems, and plays addresses these issues primarily through the works of modern American writers, including Bernard Malamud, Eudora Welty, Saul Bellow, Edward Albee, Robert Frost, Denise Levertov, William Carlos Williams, Ernest Hemingway, Alice Walker, Kurt Vonnegut, and others. The selections represent the experience of aging from the perspective of persons of diverse color, ethnicity, and background, and are complemented by illustrator Elizabeth Layton’s wry and perceptive prints.

“Mira Rosenthal’s The Local World incorporates deeply lived experience and mystery in a fluent shape-shifting that can take you anywhere— and bring you back, changed. The poems are beautifully crafted narratives of loss, travel, and salvage. There is a damaged family at the heart of these poems, an abandoned farm, and many rooms, parks, and train cars in far places. Yet, like all really good poems, Rosenthal’s language consistently rises above its cries to wonder and beauty. What a joy to find this stunning first book to award the Stan and Tom Wick Poetry Prize.” —Maggie Anderson, Judge

“Traveling from her pastoral America to Neruda’s Chile and the Ireland of St. Kevin, Elizabeth Breese sings the lonely-wild lyric of ditch flowers and raw honey, tornados and radios, broken birds and sailors lost at sea. Her ars poetica: ‘little bee hand in pocket editions, the rough- / cut paper combs, dancing for the things it loves.’” —Harryette Mullen

Long Road to Liberty traces the men’s immigrant roots and their involvement in events leading up to the war, including breaking up the last slave auction in St. Louis and efforts to keep Missouri in the Union, and continues with their army lives as the state’s first volunteers. It details the 15th’s actions in crucial battles in Tennessee and Georgia: their desperate stand at Stones River and near annihilation at Chickamauga; their charge without orders up Missionary Ridge; the campaign for Atlanta; and their role at Spring Hill and the killing field a day later at Franklin, Tennessee.

“Lou Suarez’s poems are about what we can and can’t see. Watch, look, see—usually these verbs are the pivots of his poems. Even our inner lives are visible here; the imagination makes voyeurs of us all. But what we see by means of these carefully made poems is not something like knowledge, but something both stranger and more familiar; a map of our puzzlement and wonder.” —William Mathews

Raymond DeCapite’s second published novel, A Lost King, has been described by Kirkus Reviews as a “small masterpiece, so unique in spirit and style.” If the mood of The Coming of Fabrizze is joyous, that of A Lost King is somber. Each of DeCapite’s novels is original in its own way, perhaps inspired by different moods. Writing in the New York Times in 1961, Orville Prescott described Fabrizze as “an engaging modern folk tale so full of love and laughter and the joy of life that it charmed critics and numerous readers and was generally considered one of the most promising first novels of 1960.” He found DeCapite’s second novel, A Lost King, was a different sort of book than Fabrizze: “Fabrizze is an apologia for heroes; A Lost King is an apologia for dreamers. A more mature book, it deals with a more serious theme—the relationship of a father and son…a pathetic and perhaps tragic conflict of personalities.”

In Lost Ohio McNutt, who has devoted his career to uncovering forgotten Ohio and its spirited inhabitants, continues his travels around the state in an attempt to discover vanishing traces of our lives—celebrations, motels, road art, drive-in theaters, traditions, inventions, folk tales, battlefields, and forts. His journeys rediscover missing pieces of our past that reflect a state of mind as well as a collection of landscapes. McNutt’s vanishing Ohio is a place where rural America converges with small cities and fading history and disappearing culture, lost to burgeoning technology, global economy, technological immediacy, and time. He visits Fizzleville, Sodaville, and Footville; the hollow, metal globe that is the final resting place of Captain John C. Symmes, who theorized that the earth was hollow and access to the core was through the polar caps; the Mansfield Reformatory, Ohio’s largest and toughest haunted house; Waynesville, home of the Ohio Sauerkraut Festival; and Harry Dearwester, the “carny” who guesses peoples’ weight with 90 percent accuracy.

“Alison Stine’s best poems here are confessional and meditative sequences, but are shadowed by the tradition of dramatic narrative; they propose types of redemptive performance….Their white spaces are crucial to this ironic self appraisal, in which a lost, outcast belated family is assembled by invocation.”—Robert Hill Long

The Lousy Racket is a thorough examination of Ernest Hemingway’s working relationship with his American publisher, Charles Scribner’s Sons, and with his editors there: Maxwell Perkins, Wallace Meyer, and Charles Scribner III. This first critical study of Hemingway’s professional collaboration with Scribner’s also details the editing, promotion, and sales of the books he published with the firm from 1926 to 1952 and provides a fascinating look into the American publishing industry in the early twentieth century.